Sunday, June 5, 2011

X-Men: First Class

As different childhoods produce distinct ethical engagements, those possessing unique abilities for which they have been ostracized come together to form a team. Revelling in the emancipatory liveliness forged by the inclusive environment which provides them with the opportunity to openly nurture their gifts, a strong sense of self evolves which is nourished by the art of friend making. But opposing philosophies regarding how they should respond to the circumstances which stifled their progress introduce a spirited variable which constructs an internal polarity. Friends must decide where their allegiances lie if they are to be true to their feelings as they construct dreams for the future.

But it's really not that dramatic. True, Charles Xavier (James McAvoy, Laurence Belcher) and Erik Lehnsherr (Michael Fassbender, Bill Milner) represent opposing politico-ethical stances in regards to sociological group dynamics, but even when said stances are materialized, through the act of a decision necessitated by ego (or a lack there of), they still remain friends as they attempt to thwart each others efforts.

Most of the thwarting takes place in X-Men: First Class's predecessors.

It's fun to watch as Professor X and Magneto youthfully engage in various extraordinary activities, but the film isn't the greatest. There are many, many, terrible lines that seem to be relying on the franchise's built in audience for cheerful support. Many of the scenes where characters meet one another or assume their future identities are as predictable and maudlin as they come, and it's sort of like they've just remade the original X-Men film and substituted a number of new characters and an unconvincing cold war scenario for its content. One major difference is that the writers seem to be favouring Magneto's outlook as evidenced by the sympathy generated for his character, the fact that he is given the last scene, the death midway of the only African American character, and the constant objectification of women. A forgettable instalment in the X-Men saga, First Class is still required viewing for fans nonetheless.

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