Saturday, January 5, 2013

Les Misérables

And another film operating within an ethical economic matrix was released, whose focus is more generalized and critiques less gaudy, pursuing similar ends through divergent means, incorporating adherents of courage, wisdom, moderation and justice, religiously and managerially inundating the hardened prejudice of the absolute, with vibrant, comprehensive, itineraries, of conscience.

Also reducing a novel of considerable length to a lively cross-section, condensed further through the articulations of musical abbreviations, it, while lacking the artistic particularity of Anna Karenina, the meticulous style, still uses its harmonies to manufacture practical progressions, one of its most salient themes reminiscent of a concluding remark from Cloud Atlas.

The Master's logical mischievousness innkeeps, while Argo's spirit internally manifests.

Lengthy and full of purpose, Tom Hooper's Les Misérables chants out between two worlds, mercifully punishing criminal constabularies, while seeking to secure democratic law and order.

And another viewing of Lincoln. 

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