Thursday, October 31, 2013

The Fifth Estate

The Fifth Estate's cold calculated construct of Julian Assange (Benedict Cumberbatch) maintains that he's a driven well-meaning intense prick whose inability to bend resolutely cost him dearly.

Guilty of high-tech intractability.

The portrait's possibly unfair.

It was a simple matter of redacting articles posted on WikiLeaks so that the names of covert individuals mentioned within them would not appear and the individuals themselves would likely not be violently punished (murdered) afterwards.

Not such a simple matter for Assange, according to The Fifth Estate, however.

He was determined to publish leaked articles in full on principle to demonstrate that he wasn't doing anything to hedge the truth.

I respect this on principle, but when people's lives are at stake I do have to agree with The Fifth Estate's condemnation of the practise, Assange being unable to recast his image as his freedom fighting persona gained international traction.

The problem in the film is this.

Assange rightfully despises tyranny.

It's what he fights against.

Tyrants tend to kill people.

In The Fifth Estate, as WikiLeaks's reach exponentially extends, it becomes clear that Assange is a general of sorts, more of a supreme commander, and that by releasing unredacted documents, he has the power to sacrifice troops for what he considers to be the greater good, but he still sacrifices troops nonetheless, somewhat carelessly, I might add.

So on principle, he makes decisions that could have cost people their lives, people who may have been fighting for the same things using different methods, when he really didn't have to, he could have redacted the documents without ruining them, which causes him to become tyrannical himself, an unfortunate development for such an heroic person.

What I loved about The Fifth Estate was its examination of history, contemporary history, how many of its characters are aware of the monumental changes the internet has brought about, like Gutenberg's printing press on hyperactive culturally enlivening intergalactic booster juice, The Guardian's Nick Davies (David Thewlis) offering some notable insights, moving the film away from the severely intensifying interactions between Assange and Daniel Berg (Daniel Brühl).

Looking forward to reading/viewing what other biographers have to say about Assange over the upcoming decades.

Compelling person.

Brilliant colossus.

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