Friday, January 8, 2016

Star Wars: The Force Awakens

*I've waited weeks to post this. There aren't any huge spoilers but don't read it if you haven't seen the film.

A New Hope and The Empire Strikes Back really are exceptional films. They created a universe and captivatingly pulled you in, refusing to let go, commanding your strict attention for every volatile nanosecond then leaving you wiped from hyperintense emotional exposure. They were dark. They were pressurized. They didn't seem like lighthearted whimsical checks and balances. They built the foundations for worlds within worlds and boldly cultivated a clear spiritual vision, tantalizingly navigating a polarized political spectrum. I watched them again recently, watched all the Star Wars films again recently, and they still hold up, still captivatingly pressurize. They must have had a long lasting effect on the Force Awakens team too, because Star Wars VII borrows heavily from their scripts. I enjoyed watching it, and even preferred it the second time, but it was still somewhat frustrating to see the agile new cast back on a remote desert planet, with a droid containing secret information, off to a new cantina bar, before having to assault a new super-Death Star wherein an Empire like confrontation takes place. The film holds together and is fun to watch, but the script is lacking in vision.

They likely didn't want to try anything too experimental because that was precisely what Lucas did in episodes I-III and they didn't turn out that well. It's a shame because he attempted to multidimensionally diversify the world he created by crafting complex scripts with multiple storylines. It's too bad he didn't get someone else to write the dialogue or rework each script into something less convoluted, something more like episodes IV through VI.

Which is what The Force Awakens team has done, taking the easy route but workin' it intergalactically. I was hoping it would be something exceptional, you come to expect the exceptional from Star Wars films because A New Hope and Empire were so good, and they had a long time to work on this one; you're happy when a Marvel film is exceptional but you don't expect them to be exceptional in the same way that you expect a Star Wars film to be exceptional, so that when it's just solid entertainment, a fun couple of hours revisiting a phenomenal contemplation, it's a bit of a let down, which is easy to get over.

The film's too light.

General Hux (Domhnall Gleeson) is like a child in comparison to Grand Moff Tarkin (Peter Cushing) and Kylo Ren is light years less menacing than Darth Vader (David Prowse/James Earl Jones).

First rate pilot Poe Dameron (Oscar Isaac) crash lands on Jakku and then disappears until heroically returning to save the day, having managed to escape from a barren isolated planet being monitored by a Star Destroyer-like ship which is searching for him specifically.

How did he get off the planet!

Because it's so similar to episode IV you know precisely what is going to happen and this takes the edge off considerably even if it's kind of neat to see it all happening again.

With some new twists thrown in.

The text from the opening moments seems more like a bubblegum comic than an invitation to interstellar tragedy.

Was infiltrating the First Order's secret base and shutting down its force field far too easy?

Before Alderaan is destroyed there's a brilliant exchange between Leia (Carrie Fisher) and Tarkin which accentuates the severity of what's about to happen. In The Force Awakens they just fire the new weapon to sever any connection episode VII has to episodes I-III.

Rey (Daisy Ridley) is a saving grace, and her character continuously steals scenes, a cross between Han Solo and Luke Skywalker, she should be able to hold the next couple films together.

With Finn's (John Boyega) help; I loved it when he picked up the lightsaber to take on Ren.

I suppose I shouldn't be advocating for darker Star Wars films if I prefer the ways of the Jedi, but it's the competent resilient fierce desperation of the rebellion that made those films stand out, like the Rebels were up against overwhelmingly austere villains whose maturity was viscerally diabolical, the goodness of the Rebels standing out in sharp contrast.

Perhaps George Miller or Christopher Nolan should direct episode VIII. Perhaps they weren't crazy fans of the original trilogy when it came out. That may give them an advantage.

May the force be with you.

*Forgot to mention how cute BB-8 is. Like a well-groomed feisty Bichon.

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