Tuesday, April 19, 2016

10 Cloverfield Lane

Asphyxiated awakening, crucial incarceration, a story too wild to believe, raw apocalyptic notions, a strange man, another peculiar resident, the destruction of the world notwithstanding, things still seem quite odd, something's misplaced, misaligned, is he benefactor or captor?, saviour or jailor?, conversation promotes jealousy but his moods shift in flux, keeping busy even encourages prolonged periods of mutual affection, stability, camaraderie, domesticity, an end of the world thing, but it's still creepy, screwed-up, menacing, research leading to strategic planning, desperate usurpers, covertly exercising extreme perspicuity.

Below ground.

The bunker's fully equipped with supplies and distractions but the bizarro interactions intensify the infractions.

Claustrophobia.

Tough to keep the old three characters imprisoned together narrative convincingly moving along but 10 Cloverfield Lane lives up to the challenge, anxiously keeping you focused the whole way through.

It introduces the tension in short disorienting bursts but then smoothly covers it up with unconcerned conviviality, to ensure things are neither too warm and fluffy nor too distraughtly psycho.

Solid mix, adhesively struck by another strong performance from John Goodman (Howard), who seems like he's channeling Pruitt Taylor Vince at times.

The alien invasion and nutso farmhouse shelter aside, it's more like a take on arranged or forced marriage, when a young girl doesn't want to marry a much older man and live in isolation.

Michelle (Mary Elizabeth Winstead) is handcuffed, locked in a room, monitored, belittled, has to crawl through tight spaces, doesn't want to be there, has questions that neither Howard nor Emmett (John Gallagher Jr.) can answer, and no one else to talk too, nothing else to do, confined in secular sanctimony, constantly thinking of escape.

Perhaps blindly travelling the country under hostile conditions in search of compatriots who are fighting to ensure the survival of humanity is better under such circumstances.

In fact, that is better.

Surprising sequel that creatively moves the franchise forward.

Bold.

Lickety-split.

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