Tuesday, May 10, 2016

The Dark Horse

A gentle soul plagued by mental illness finds himself caught between brother and nephew in James Napier Robertson's The Dark Horse.

Solemnity.

Mana's (James Rolleston) father (Wayne Hapi as Ariki) survived by joining a violent gang.

It's the life he knows and he wants his son to become a member so that he can feel safe as he dies believing he'll be taken care of.

His son loathes the senseless brutal thuggery however and doesn't want to live a life of crime.

His uncle Genesis (Cliff Curtis) is a brilliant chess player who also possesses an exhaustive understanding of his culture's mythology but may have never held a job and can hardly take care of himself.

Nevertheless, as he finds purpose helping to manage an after school club for disadvantaged youth, telling them stories and teaching them chess in preparation for a tournament, his nephew gravitates towards his civility as his father's partners become increasingly aggressive.

Ariki has told his brother to stay away from his son, and their ensuing dialectic, brashly shy and modestly brave, disputatiously contends for Mana's future, both of them eventually accepting that they need to acknowledge his own individualistic dreams.

The Dark Horse beautifully elevates the constructive art of teaching while harshly contrasting it with stark economic bellows, Olympian highs and devastating punishments masterfully articulated with naive bracing culpability.

Life without opportunity can be eviscerating so I don't stubbornly fault people for making desperate decisions, although I do commend those who struggle in different ways, creating something durable and friendly in a culture of bitter cynicism.

You feel bad for all the participants involved accept Mutt (Barry Te Hira) who's clearly evil.

Building a community from nothing, nurturing hope and togetherness through board games and puzzles as opposed to drugs and alcohol; something to think about.

Genesis is a character who sticks with you, clearly ill-equipped to deal with the quotidian yet exceptionally gifted at enlivening the imaginary.

An artist you know.

Perhaps the best kind.

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