Cut off from secular temptations, living austere lives self-shunned isolation, religiously devout ascetic mothers having peacefully gathered together to worship, suddenly terrorized, in extreme desecration.
A young nurse working in a nearby town agrees to secretly assist, the worldly and corresponding earthen salts bilaterally balmed, rules and regulations complicating their work, chilling aftermaths incrementally materializing.
Patients, healing in harmony.
The practical and the ideological tenderly stride in Anne Fontaine's Les Innocentes, celestially handmade convivial collaboration, democratically uplifting charitable principles, proceeding piecemeal to care for new life.
It's not that the ideological doesn't present rational codes of conduct, different codes clashing depending on the frequency of contemporary rigidities, it's just that the world usually presents sundry contexts many of which are characterized by specific circumstances which don't snuggly fit within dogmatic prescriptions.
Les Innocentes demonstrates how a balanced approach to the application of rules can produce fruitful results without shying away from illustrating the dangers of straying far from the beaten path, which, consequently, justifies the path's well trodden existence.
By breaking down barriers without sentimentally structuring the narrative, the film exemplifies how principled persons can effectively manage competing dedications while maintaining strong identities in self-secured assurance.
Communal constitutions.
A love story's worked in, friendships develop, the clandestine scandalizes itself, Les Innocentes works on multiple levels.
It critiques without castigating, builds-up without beatifying.
Like an exemplar of composure, it handles delicate controversial material with level-headed poise and calm, as Hillary Clinton's been doing for decades debating in the public eye, and Trump can't seem to fake for half an afternoon.
If tragedy descends into comedy he's pure horror.
Selling it like he's a victim.
Making Stephen Harper look like Barbie.
No comments:
Post a Comment