Tuesday, May 9, 2017

The Circle

Omnipresent technological observation, every detail from everyone's life infinitesimally revealed with omnibus macroscopic composure, the triumph of the public sphere, no more secrets, no more subterfuge, real time rhapsodic synergistic respiration sucking in surety and exhaling plots, sandlots, polka dots, buffets, aeronautic knowledge in plain microcosm, mountainous metaphoric immersive munchy meadows, cross-referenced cursive equations, auspices, permanent honesty.

The Circle seeks to reveal everything ever recorded, every piece of data historically accumulated, every whisper, every slight, while turning everyone's life into a networked primetime extravaganza, constant pervasive awareness, monitoring each and every aspect, like itsy-bitsy circus shows.

Prophetic in its potential, sage in its revelations, James Ponsoldt's The Circle critically examines the ways in which social media has significantly transformed human existence in less than ten years, like the printing press of old, exponentially exemplified.

Within the film, an employee's (Emma Watson as Mae) responsibilities gradually increase after she's hired by the aforementioned, an innovative business that has combined several popular online sites into one übercolossus, until she goes transparent and everyone begins following every moment of her life all day everyday as it happens online, and she suddenly finds herself with an unprecedented degree of influence.

She's chill though, cool, she's not really into all that sort of, in the film anyways, the film is quite different from the book, although she realizes she possesses a perky ability to monumentally game change.

She digs.

She excavates.

She constructs.

She reveals.

If everything about all and sundry was accessible online the world would certainly become a different place.

A lot of pricks would be forced not to be huge dicks, unless some kind of sadistic sensational saga prevailed, for a time.

It might end up being like true democracy, things like starvation and violent crime slowly (perhaps rapidly) disappearing, the exaltation of the ephemeral, new variations of Star Trek compellingly illuminating the variations, slavery ending, endangered animals given a fighting chance for survival.

Imagine the pizza.

The long weekends.

The orations.

But if a select group controlled it things likely wouldn't change much.

And it would be super hard on those who didn't want their lives to be transparent, not just the unscrupulous but regular people as well, unscrupulous regular people notwithstanding.

Seems to be heading in that direction regardless.

Not really sure if The Circle's prophetic or simply just a comment on the times.

Makes the art of creating genuine surprise all the more intriguing either way.

*Another film could be made based on the book that could offer deeper reflections.

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