The House

An adorable loving cute-and-cuddly family suddenly finds itself violently managing a rowdy small town underground Casino in Andrew Jay Cohen's hit-and-miss The House, awkwardly refining streetwise bourgeois semantics thereby, while teaching their young daughter improvisational economic lessons learned.

Chug-a-lug-lug.

There would have been no need however a corrupt city councilperson embezzles the funds that would have paid young Alex's (Ryan Simpkins) college tuition, the Johansen's (Will Ferrell as Scott and Amy Poehler as Kate) unexpectedly finding themselves 250,000 dollars short afterwards, with no legitimate means to raise the cash required.

Enter their porn-afflicted deadbeat addiction-prone friend (Jason Mantzoukas as Frank) whose wife has just left him, but he's got an idea to win her back, and you've found a trendy sanctified sordid perky do-gooding sleazy debacle, complete with absurdly relevant relatable yet sensational stock (the mismanagement of government funds resulting in heavy taxes for small businesses?), weathering the wherewithal, manifesting latent complexes, hewing the graft, and exercising freewill.

It's a great idea for a comedy, glossing over serious defects in the American dream too lightly perhaps, but not unsympathetically, in its brazen hardy risk management.

How do people pay $50,000 for one year's tuition?

N-n-n-nutso.

That is one big bloody army.

Full-on crazy, this here historical epoch.

A great idea supersaturated with too much improbability that revels in its hypothesis without generating convincing conclusions, The House has its moments but some scenes are total amateur hour, even if they're naively treading the rambunctious deluge.

The script intends to blend the wild with the worldly in a bizarro multicultural cavalcade, but ironically leaves the parenting behind for too long, and focuses too intently on plain old thuggery.

It's true though, the film would have been stronger if they had cut back on the buffoonery a bit, even if Scott's 1970s-90s? cut-off hopeful progressive determined speech near the beginning suggests The House ain't that kind of film.

Butchin' and burnin'.

Is it really a comedic western?