Tuesday, May 18, 2021

In the Name of the Father

A young borderline ne-er-do-well buck earns a living through controversial means (Daniel Day-Lewis as Gerry Conlon), his dependable father supportive yet stern (Pete Postlethwaite as Giuseppe Conlon), his animate fortunes fluid yet dour.

He heads to England leaving Belfast behind in search of something non-specific in particular, meeting an old friend on his brisk maiden voyage (John Lynch as Paul Hill), the two finding their way to a commune. 

Jealousies cloud their smooth integration and conflict erupts within the bower, however, firmly necessitating agile itinerancy boldly embraced with freewheeling concessions.

But on that very same eve a long peaceful pub is scurrilously attacked, the two friends in the reckless vicinity, the police searching for someone to blame.

They're soon callously rounded up and slowly beaten into sedate submission, and the cops take their interrogations to the next level, and arrest most of Gerry's close family.

Father and son wind up sharing a cell amongst hardened felons unaccustomed to innocence, young Gerry broken yet looking for friends, aged Giuseppe resigned to his despondent fate.

Years later a determined lawyer resolutely seeks veracious social justice (Emma Thompson as Gareth Peirce), as applied to the wrongfully convicted victims of the heinous crime.

The police know they've imprisoned the wrong people since the legitimate culprit freely confessed.

Yet they're unwilling to admit their mistake.

As the years pass by interminably.  

I think a lot of the time the police do a great job, in fact they've been quite helpful on occasion, wrongfully imprisoning people to appease the public is frustratingly distasteful to say the least however.

Moving forward with intent to convict even though it's probable the suspects are innocent, leads to widespread mistrust in law enforcement, and derivate righteous anarchy.

In the Name of the Father holds law enforcement to account while uplifting honest independent inquiries, as a father and son languish in sensational injustice, and many others face similar sentences.

It proceeds too quickly at times, for it covers a lengthy time period, barely scratching the surface of what could have been said in a prolonged reflective series.

But the moments it does choose to share are considerate and make for thought provoking jurisprudent theatre, poignant pastimes and just grace and dignity cultivating passionate aggrieved freespirits. 

Mind-boggling to wonder why anything like the events in this film came to pass?

They had the proof of their innocence.

Politics and law, a dangerous combination. 

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