Infinite

If the world was a computer program and the lifeforms within it unique entities, reincarnation could be the gradual transformation of an independent electronic dynamism.

It could have been created and serendipitously set to holistically mutate as the centuries pass, taking on strikingly different characteristics as it slowly changes throughout the millennia.

It would be somewhat loquaciously like the mischievous transmutations found within poetry, the anomalous forms and shape-shifting algorithms inherently celebrating multivariable verse.

Thus perhaps after the generation of the world and the patient acclimatization of the various species, an intense supercode was created like an infinite phantasmagorical fulcrum. 

Somewhat like alchemy perhaps like the living embodiment of the philosopher's stone, not granting immortality to specific individuals but eternally guaranteeing constituent existence. 

It would be interesting to see what's happening in cyberspace to see if a world is in fact being created, or if the A.I programs situated within technonaturally observe their surroundings organically.

That is, when placed within a mathematical code does consciousness automatically assume an environment, within which it consistently interacts with other cyberlifeforms situated within (as theorized by many others)?

My mind strays to STNG's Moriarty and the clever episodes relatedly constructed.

But if I remember correctly he encountered Being and Nothingness.

Not a consistent ecological reliability.

In Infinite, reincarnation exists and reincarnated people are aware of their former lives, those who only remember slight bits and pieces diagnosed with schizophrenia at the onset of puberty.

The story follows one such individual as he's taught about his incredible lives, and his immortal friends try to expand his consciousness to make every moment eternally contemporary. 

There are two groups of immortals however and one seeks the destruction of Earth.

Tired of being born again and again throughout the centuries.

They seek to shut down the program.

It's a cool film, I liked the idea and it's good to destigmatize mental illness, I thought it was a creative way to link the two phenomenon in a progressive 21st century synthesis.

I find there are a lot of fantasy films being made this postmodern day.

But many of them are in such a hurry to explain things.

That some of the build-up and tension is lost.

For instance, in the first Terminator film I was totally immersed and fluidly infatuated, longing to find out more information, overwhelmed when Kyle Reese met Sarah Connor. 

There's a lot of cool adventure films these days.

You don't have to rush it, take your time, your audience loves it.

So much is given away at the outset.

It's okay to smoothly craft and build.

*They actually don't rush it in Infinite, well, we find out the details of the dialectic pretty soon after it starts, but McCauley's consciousness doesn't return until much later.