Mansfield Park

I imagine Mansfield Park was written when the 19th century's abolitionist movement was rapidly advancing, and the cruel and ruthless practice of slavery was soon to fade into oblivion.

But it hadn't yet as this narrative took shape so some of its characters seem rather outdated, as they lavishly live off the profits of enslavement in luxurious temper and ornate fashion.

Even if the story and its situations seem somewhat ghastly from current perspectives, it's strange to see characters genuinely presented outrageously profiting from the slave trade, I imagine it was daring and even groundbreaking at the revolutionary time, as it ethically shocked the established practice, and brought fresh perspectives to politically bear.

Thus, with the abolitionist movement passionately sermonizing in the background, Jane Austen theorizes Victorian realism, and creates a hypothetical yet possible set of circumstances, wherein which Society struggles with change.

The father, one Thomas Bertram (Harold Pinter), isn't squeamish about his distant holdings, and indeed brutishly profits from their labours, with no qualms or concerns regarding worker well-being.

His oldest son of the same name (James Purefoy) even captures his wickedness in a series of vivid disturbing drawings, which lead to his grand disillusionment, and general disregard for family life.

His younger brother Edmund (Johnny Lee Miller) has never visited their land or enterprises oversees, and has matured in the finest ethical tradition, even if he can't settle upon an occupation.

He grows up with one Fanny Price (France O'Connor) and the two fall in love through books and imagination, but they're both rather unacquainted with their own interests, and eventually find themselves about to marry others.

Even though they live with everything at their fingertips, and want for nothing material throughout their days, Tom and Edmund still detest their father's practices and express their criticisms with virtuous outrage.

It's unsettling to see people living so ostentatiously considering, but within the novel's historical context, perhaps it helped encourage the end of slavery.

Thomas has switched his interests to tobacco in the end and seems to have abandoned profiting from extremist tension, the counsel of a younger generation definitively having influenced his ridged composure.

I was surprised to see a Jane Austen narrative so sophisticatedly concerned with social justice, I had always presumed most of her books concerned marriage, and had no idea they examined broader issues.

Marriage is also of the utmost concern within the farsighted Mansfield Park, but it's regarded as another form of human entrapment, as Edmund and Fanny seek to fall in love.

The story's quite robust however and even though borderline romantic, still undercuts its amorous zeal with cold calculated depictions of poverty.

Still should people like Edmund and Fanny find each other love may flourish boundless and eternal.

I'm not sure how many liberties the filmmakers took with the plot.

But I'd very much like to read Mansfield Park. 

Lincoln

Providing an in-depth warm yet demanding account of the overt and back room executive and legislative steps taken to both legally abolish slavery and end the American Civil War, even though the contemporaneous achievement of both goals seemed unattainable, Steven Spielberg's Lincoln avuncularly yet sternly examines a pivotal point in American history and the roles played by many of its leading persons.

It's very practicable.

It lays out the complicated dynamics of the Republican Party as it was structured with Abraham Lincoln at the helm during his 2nd term, and, while often employing an elevated vocabulary, patiently divides the party into collaboratively oppositional groups whose interests each need to be moderately assuaged.

Thus, differing internal ideological commitments and approaches to the same set of principles are coherently represented by sensible counterintuitive arguments.

Expediency and opportunism become necessary factors due to the inextricable contingencies of their political matrix.

I have no idea how closely the actions depicted in this film match generally agreed upon historical realities within prominent objective canonical yet malleable enclaves, but the film did remind me that back when I cared about trivia and avidly watched Jeopardy!, I could rarely knowingly answer its myriad American Civil War questions, and wanted to learn more about it.

Lincoln's (Daniel Day Lewis) exceptional gifts for finding applicable amusing pedagogical anecdotes capable of being pleasantly yet instructively presented to whomever his audience happened to be affably ties things together.

Trying to make the passage of an amendment into a dramatic film was a great idea.

Being able to vote for the people who pass such amendments is a right that was/is vehemently fought for.

If you're jaded about the results of your voting, which everyone is at some point, Spielberg's Lincoln does exemplify how difficult it can be to coordinate the passage of legislation, which will often (probably always) contain cumbersome particulars which are themselves the product of advanced democratic pluralities, who have progressed in varying degrees, over the centuries.