Dinner for Schmucks

Stacking awkward conversations and embarrassing situations upon harrowing miscommunications and mismanaged revitalizations, twisting it all up, and igniting a raging disorienting inferno, of comedy, Jay Roach's Dinner for Schmucks delivers a consistently progressing discomforting crescendo, within which Tim (Paul Rudd) must come to terms with Steve Carell's Barry. A prestigious promotion is within Tim's clutches if he can 'negotiate' a deal and impress his new contemporaries. At the same time, he must find an individual whose relationship with reality can be thought of as questionable and bring him or her to his boss's party. The party showcases representatives of the peculiar, the person possessing the most distance unknowingly winning the day. But when Tim's partner Julie (Stephanie Szostak) discovers this malevolent purpose, she forbids him from attending, throwing an ethical wrench into his professional plans. Conscience and economics then engendger a combustible quandary, which thoroughly complicates what it means to do the right thing.

Steve Carell shines and saturates Dinner for Schmucks with a cheerfully disconcerting other worldly constitution, whose gesticulating regulations coordinate comedic justice. I shook my head several times. Paul Rudd holds his own and soberly responds to Carell's offbeat harmonies. A light-hearted comedy filled with sandpaper and pith, Dinner for Schmucks will demand your attention if you don't mind sitting back to shiver and squirm. Here's hoping one day Carell finds his Dr. Strangelove. Excellent supporting performances from Zach Galifianakis and Jemaine Clement.

Kabluey

Scott Prendergast's Kabluey argues that a down-on-their-luck can't-find-their-way brother-in-law can produce long-lasting ethical reverberations if given the opportunity to succeed. Salman (Prendergast) has no cash, no car, no charisma. He moves in with sister-in-law Leslie (Lisa Kudrow) to babysit her two children (his brother off fighting in Iraq). Shortly thereafter, he lands a job handing out fliers advertising office space on a lonely country road in a giant blue suit with an enormous blue head (the Kabluey Suit). Associated weirdoes drive by every day and engage in a variety of different gesticulations as they approach his absurd presence. He eventually discovers that Leslie is having an affair with her boss (Jeffrey Dean Morgan) and about to leave his brother in order to secure more financial resources. But through an act of trickery most sneaky and diabolical he is able to catch her lecherous employer out and about with another fling, thereby saving his brother's marriage (all the while dressed in the giant blue suit).

Kabluey's form is absurdist: it doesn't make much sense, just a number of odd scenes with colourful characters making one bizarre decision after another with little rhyme nor reason. Hence, it's structure is situated within a comedic void whose characteristics are troubled and tragic. Within this void, Salman wonders to and fro listening to everything he hears. The surrounding people don't seem to notice him even though he stands out like a piece of chalk on a paper clip. Hence, he's able to compile a great deal of information in the short time he spends in his new town, information that he can then disseminate since he has nothing to lose. Hence, he uses global universal ideals to moderately transform his local community who were blinded by his ludicrous omnipresence and thought he didn't notice, thereby demonstrating that the not-so-well-off members of a community are indeed capable of instigating positive change.

Kabluey's content is hit or miss; you'll like Prendergast's scenes and situations or you won't, but, either way, he does unleash a remarkable degree of creativity within which demonstrates that he may craft an exceptional comedic piece or two in the years to come. A great date flick or solid holiday rental, Kabluey illustrates that heart within happenstance can equal serenity and solidarity; all it takes is something different to docilely stir things up.