Mandela: Long Walk to Freedom

Justin Chadwick offers a selective charismatic altruistic account of Nelson Mandela's (Idris Elba) life in Mandela: Long Walk to Freedom.

Significant events from Mandela's heroic trials are qualitatively condensed then narratively harvested.

It unreels at a fast pace but Elba's calm committed confrontational resolve surreally subdues the passage of time, tantalizingly transforming 30 seconds into two-minutes-forty, proactively producing captivating capsules.

A good companion piece for 12 Years a Slave in terms of the differing approaches adopted to biographically elucidate, McQueen cultivating a shifting pyrodactic panorama, Chadwick proceeding more traditionally.

Chadwick doesn't shy away from presenting the difficulties associated with actively pursuing disenfranchised political agendas, and the toll Mandela's sublime idealism takes on his wives and children are dis/comfortingly displayed.

His first wife leaves him but his second never yields in her championing of his cause while he's imprisoned, suffering jail-time and countless indignities consequently.

Their breakup after he's released is perhaps the most unfortunate disengaging of amorous affections I've ever come across.

Winnie Madikizela-Mandela (Naomie Harris) kept the fire burning brightly throughout his 27 years in prison and seeing them part is tragic if not earth shattering.

But Mandela believed in a non-violent working solution and when provided with the opportunity to politically enact one, engaged.

Taking the resultant monumental fallout in stride.

Not a saint, perhaps, but definitely, a person of steel.

Invictus

I may of missed the point of Clint Eastwood's Invictus, but I thought the first half was much stronger than the second. In the opening moments, newly elected South African President Nelson Mandela (Morgan Freeman) must deal with his new occupation's complicated demands, many of which have arisen from the historic racial tensions between black and white South Africans. His approach to governing is unexpected: let's try and rebuild post-Apartheid South Africa as one nation, forgetting the gross injustices inflicted upon the black population and focusing instead upon what can be done to positively change the system's current composition. Considering the black population's grievances and the fact that Mandela spent 27 years in a prison cell as a result of his activism, this Ghandiesque position is commendable insofar as it prefers bonding to bloodshed. While dealing with the strains of office, Mandela takes a shining to the Springboks Rugby Team, captained by Francois Pienaar (Matt Damon), due to the fact that South Africa is about to host the Rugby World Championship. Mandela's support for the Springboks is controversial insofar as they have been seen as a symbol of Apartheid by the black population for decades, South Africa's black residents generally cheering for the opposition. But Mandela sees the team as possessing the cultural power to unite South Africa's black and white populations, and believes that if they win the Rugby World Championship it will bring said populations closer together. This is the main point of the film and as it progresses it becomes the dominant focus, going so far as to show 15 to 20 minutes of the final championship match, which the Springboks win. I thought that Invictus would have been a lot stronger had it primarily focused upon the serious political demands of Mandela's first term in office, keeping the rugby match in the background for a longer period of time, and replacing scenes like the one where Mandela greets the entire team with others demonstrating the severity of the South African racial divide. This divide is mentioned, referred to, and recognized throughout Invictus's second half, but the manner in which it is showcased is far to warm and fuzzy for my liking, thereby minimizing the effects of South Africa's World Rugby Championship victory by overlooking the grim social realities that victory was symbolically supposed to overcome.