Men with Brooms

In a fit of hopeless anguish a skip abandons his agile team, to roam the wilds of Northern Canada and Québec in a fruitless wayward daze (Paul Gross as ____ Cutter). 

But the rocks he had discarded within isolated aqueous depths, are miraculously discovered by his old school hands-on coach (James B. Douglas as Donald Foley).

Unfortunately, the act of discovery inflicts a devastating wound, otherwise known as a crise cardiaque, his surviving family forlorn and crushed.

But their genuine heartfelt grieving finds sincere communal support, and the very same itinerant skip suddenly returns from his mournful travels.

It soon becomes apparent that the desire to curl still proudly dominates, their cheeky resolute bucolic daring fortuitous insurmountable spirit.

Ashaméd young Cutter hears the call and asks his father for nimble aid (Leslie Neilsen as Gordon Cutter), the reliable team boldly reassembled to seek out unheralded victory.

Applauding damsels supply convivial radiant luminous supple backing, Cutter Jr. finding himself caught between a bonafide astronaut (Michelle Nolden as _____ Foley) and her comic sister (Molly Parker as ____ Foley).  

Like they've put the band back together they set out to resurgently compete.

Others awaiting their brave contention. 

Across the wilds of Québec and Canada.

I remember catching a Brier in my youth on TSN one frosty weekend, and I loved how every province and territory had sent a team there to compete. 

I loved how 'lil P.E.I suddenly held an equal footing with larger jurisdictions, and had the chance to potentially upset much more heavily populated provincial opponents. 

But even more so it seemed to me that many of the competitors may have come from small towns, without the wealth or social standing oft attributed to skiing (you can even play if you're overweight!).

I liked how teams perhaps from Moose Jaw, Swift Current, Gravenhurst, or Rimouski, had perhaps defeated rivals from Toronto or Vancouver to resoundingly compete for the coveted Brier.

Needless to say, I was even more enthusiastic to apply such a thought to rinks competing at the Olympics, and have always paid attention since to see if our curlers at least took out Russia and the States.

Men with Brooms comedically captures such thoughts in a raw salute to a passionate game.

If you've never watched curling, you should check it out.

There's solid competition at the Scotties Tournament of Hearts (and elsewhere) as well.

Gunless

The new Canadian western comedy from director William Phillips examines the dynamic relationship forged between a wild individualistic American rogue and a settled congenial Canadian community. In Gunless, Sean 'The Montana Kid' Rafferty (Paul Gross) escapes from his hanging only to wind up surrounded by decent folk who are relatively ignorant of the American Wild West's code. His integration is smooth if not bumpy insofar as he quickly catches the eye of a local belle (Sienna Guillory as Jane) while still taking the time to 'call-out' Jack, the blacksmith (Tyler Mane), after he uses the word "common" in one of his introductory remarks. The plot comedically incorporates a basic formulation of Aristotle's conception of virtue (the virtue of a knife is its ability to slice) which causes Rafferty to dramatically (if not ironically) question his profession's means-of-production. Then, as he sacrifices his individuality for the community's greater good (after those wishing to hang him show up in town), that community responds in his defence by any-means-necessary.

And there's a gunfight, A-Team style.

The film intermingles slapstick relief with cerebral comic portraits (Rafferty and the carrot) in order to provide a sophisticated mix of jocular wherewithals. Structurally, some of the plot devices simply don't work insofar as The Montana Kid is much too friendly to be considered a ruthless killer, and who invites someone to dinner after they shoot up the local 'bar'/dry goods store? The title is problematic since the town isn't gunless and neither is The Montana Kid, the term "gunless" perhaps referring to Rafferty's identity crisis after winding up in Canada; but this doesn't sufficiently explain things since the town's residents do their best to build up his character, and the man he wishes to duel even reforges said duel's required second pistol even though he wants nothing to do with the duel itself. The relationship between Canadian history and Gunless's social dynamic is legitimate if not infantilized: the one Native character (Two Shoes played by Graham Greene of course) consistently outsmarts his liaison in the NWMP (Dustin Milligan as Corporal Jonathan Kent) and is consequently rebuffed (Native wisdom was overlooked and dismissed [or rewritten from an Anglo-perspective] as the West was Anglicized); there is only one character who speaks French (Anglophone policies of assimilation prevented a French Canadian identity from prominently developing in the West); the Asian family runs the local laundry, doesn't show up for the town dance, and is ignored in an educational setting (laws sought to prevent the immigration and integration of Asians into Western Canadian society [see Howard Palmer's Alberta: A New History][the Asian girl speaks perfect English but is introduced in isolation]); a prominent woman attempts to run her own farm (there must have been examples of strong women in frontier towns taking matters into their own hands who weren't segregated, but the fact that Rafferty's advice helps her to run her farm more efficiently still accurately reflects 19th-century patriarchal norms); and the ambiguously gay character is allowed to integrate as long as he marries and stays in the closet (however, the church is surprisingly absent from the film). Gunless also shows how Canadians are occasionally not as polite as they are generally depicted (when the NWMP troops give Montana a beating) while still depicting them as being generally polite. But this depiction is cultivated with its bold, underrepresented underside, for when push comes to shove, the town's inhabitants are ready to fight for what/who they believe in (Vimy Ridge, Québec's Bill 101). I liked Gunless for the ways in which it demonstrates the potentially productive relationship maintained between a community of individuals in a lighthearted, homely fashion (even if that relationship developed in less than two weeks). More cute and cuddly than rough and tumble, Gunless's theoretically absent arsenal still subtly presents an inordinate ordinance.

How Canadian!