Unknown

A brilliant doctor resilient and dependable arrives with his wife at a conference in Europe, the two looking forward to innovative discussions throughout the upcoming thought provoking week (Liam Neeson as Dr. Martin Harris and January Jones as Elizabeth Harris).

But Mr. Harris forgets a suitcase at the airport and must return with improvised haste, a random accident then suddenly sending his swift moving cab into the river.

He wakes in the hospital four days later confused and uncertain of his identity, flashbacking memories intermittently bombarding his worried bewildered forlorn consciousness. 

Enough memories are pieced together to locate his wife back at the hotel, but she's claiming another man is her husband (Aidan Quinn as Dr. Martin Harris), and he has the credentials to prove it.

Dr. Harris A has no supporting documentation and is alone in a foreign city, his only contacts the irritated cab driver (Diane Kruger as Gina) and an old school Stasi agent (Bruno Ganz as Ernst Jürgen).

But as they help him piece things together determined hitpeople come viciously calling.

His life hanging in the chaotic balance.

If he can determine which life is his own.

Identities ephemeral consistent mutating sculpted and warped through variable circumstances, sincere lighthearted earnest scenarios generating alternative fluid trajectories. 

In Dr. Harris's case, a traumatic shock engenders tumultuous transmutations, childlike innocence serendipitously resuscitated with headstrong free contradictory will.

As if latent wondrous ethical senses habitually reside within unobstructed awareness, a less reserved curious luminous syndication ethereally materialized through pneumonic flux.

Divergent associates proceed reflexively according to malleable regenerative factors, expectations foiled with animate nuance or transformatively adorned with newfound resonance. 

New sets of variables present cherished fascinations as inquisitive impulses react with the arts, ahistorical multilateral syntheses composing flexible dynamic spectrums.

Acquiring new knowledge leads to the reinterpretation of staple favourites convivially collected, the reinvigoration of personal relationships, intricate staunch identity.

Dr. Harris makes a go of it in Canada and Québec as so many adventurous people do.

Not that anything's written in stone.

Unknown wildly entertains throughout. 

Clara

Vigorous contemplation astronomically acclimated objectively focused on enigmatic night skies.

The loss of a loved one, the end of a marriage, caught up in one's work, cold obsession wears thin.

Pedagogically anyway, those are the kinds of unimaginative questions purposeless fools think up in bland appeals to flippant provocation, having nothing that drives them themselves they seek recognition in blasé slander, as they rigidly capsize then flounder away.

No matter.

Perhaps Dr. Isaac Bruno (Patrick J. Adams) did need a break, but his uninterrupted logical obsession does lead to prosperous discoveries.

With Clara (Troian Bellisario), an independent spirit emboldening itinerant fascination, having travelled the globe she applies to work with Dr. Bruno, bringing passion and impulse and style to their studies, cooly adopting romantic methods, warmly embracing emotions age old.

Imaginary numbers.

Heart.

Spawn of the universe interdimensionally abstracting to practically envision passage, spiritual transference incorporeally transmitting commensurate extraterrestrial caches, juxtaposed entities interpreting as one coyly generating crinkly bifrost, the bond of the inexplicable reciting interplanetary sun drenched dawns.

Sci-fi love, intergalactically conceptualized, resoundingly researched, indiscriminately developed.

This Clara, Akash Sherman's Clara, true synthesis of art and science, like a seashell or desert haze.

Posing questions with no reasonable response, intercessions padded feasible parlance, cool realistic bonsai that values stoic discipline, charmed cogent romance which denotes with precision.

With academically inclined composed characters well suited to dreamy wild cards, Clara contrasts teaching with research, the lab with the world at large, objective analysis with inspired intuition, and dismal grief with resilient hope.

Dr. Durant (Ennis Esmer) and Dr. Bruno's approaches to higher education complement each other well, and even though misfortune has ended Dr. Jenkins (Kristen Hager) and Dr. Bruno's marriage, they still maintain a professional relationship as time slowly goes by.

Alternative thinking and experimental readings lead to rational conclusions which reclassify ontological taxonomies.

I have no idea how to find them, or contact them, but there must be other lifeforms out there.

I don't know how much should be spent trying to find them.

But hopefully some's spent on dolphins, improbability.

The sea.