They squeezed many a film out of J. R. R. Tolkien's The Hobbit, and I loved going to see them all, none of them blowing me away like Star Wars or that cartoon I happened to see on television during a blizzard when I was like 6, but I am much older now, and tend to be blown away by different types of narratives.
Greed is the sin dominating The Hobbit: The Battle of the Five Armies, as Thorin Oakenshield (Richard Armitage) succumbs to dragon sickness and refuses to share his gold with others.
Others who sheltered him.
Others who protected him.
A delirious dream sequence brings him back to his senses and team Thorin joins the battle, the battle that dominates most of the film, it's a cool battle I guess, the fifth army still indisputably my favourite, as it was watching the cartoon as a child, this time with werebear accompaniment, brilliant move, even if Beorn (Mikael Persbrandt) didn't figure prominently in the action.
The film also productively deals with the unfortunate hardships facing the people of Esgaroth, as they struggle with their new situation, food, organization, lodging, required and sought after, possessing few if any possessions, a leader emerges amongst them.
Other strong features include Tauriel's (Evangeline Lilly) multiple appearances, Bilbo (Martin Freeman), feisty as ever, the focus on teamwork, albeit begrudging teamwork, and concepts like loyalty and honour, mischievously played with as egos clash and contend, which seems to always happen in these films.
But really, why did we have to see so much Alfrid Lickspittle (Ryan Gage)? He's like the worst character.
In battle, why doesn't Gandalf (Ian McKellen) cast more spells? Wouldn't that ease up the pressure a bit?
Who let Lee Pace (Thranduil) get away with that performance?
So much drama, so much pettiness, so much angst, so much fighting.
Quinctilius Varus, where are my eagles!?
Loved the Bard (Luke Evans).
Star Wars starts up again next Holiday Season.
Showing posts with label The Hobbit. Show all posts
Showing posts with label The Hobbit. Show all posts
Tuesday, December 23, 2014
Thursday, December 19, 2013
The Hobbit: The Desolation of Smaug
The quest to reclaim the treasure stolen then hoarded by the accursed dragon Smaug (Benedict Cumberbatch) continues, one hobbit and thirteen dwarves audaciously adventuring away.
Bilbo's (Martin Freeman) steady unerring quick-witted agility saves them from many interminable ends.
Humanistic politics and economics enter the fray as they meddle in Lake-Town (Esgaroth), the pragmatic and the opportunistic squaring off in a heated debate concerning the potential fallout from pent-up dragon wrath.
Parochial wood-elve rulers are critiqued for occupying their thoughts too exclusively with the safety of their own domain, even though the forces of evil threaten neighbouring lands as well.
One of his subjects, the stunning Tauriel (Evangeline Lilly), with long flowing red hair, breaks with tradition, and seeks the affections of Jacob rather than Edward, thereby securing a sacred trust, in pristine, alluvial pastures.
A new instalment in The Hobbit/Lord of the Rings narrative could focus primarily on her relationship with Kili (Aidan Turner), as the two are shunned by their respective cultures, eventually finding refuge with the skin-changing Beorn (Mikael Persbrandt).
(He changes into a bear).
Bilbo, in possession of the ring of power, could stop by to spy on them from time to time.
The Desolation of Smaug is a fast-paced thoughtful energetic sequel.
Loved how Thorin (Richard Armitage) dematerialized the imposing gold statue in his attempt to defeat Smaug, thereby symbolizing his own surmounting of the Scrooge-like pretensions akin to the acquisition of limitless wealth.
Kind of cheesy in the final moments.
Nice cliffhangers nevertheless.
Bilbo's (Martin Freeman) steady unerring quick-witted agility saves them from many interminable ends.
Humanistic politics and economics enter the fray as they meddle in Lake-Town (Esgaroth), the pragmatic and the opportunistic squaring off in a heated debate concerning the potential fallout from pent-up dragon wrath.
Parochial wood-elve rulers are critiqued for occupying their thoughts too exclusively with the safety of their own domain, even though the forces of evil threaten neighbouring lands as well.
One of his subjects, the stunning Tauriel (Evangeline Lilly), with long flowing red hair, breaks with tradition, and seeks the affections of Jacob rather than Edward, thereby securing a sacred trust, in pristine, alluvial pastures.
A new instalment in The Hobbit/Lord of the Rings narrative could focus primarily on her relationship with Kili (Aidan Turner), as the two are shunned by their respective cultures, eventually finding refuge with the skin-changing Beorn (Mikael Persbrandt).
(He changes into a bear).
Bilbo, in possession of the ring of power, could stop by to spy on them from time to time.
The Desolation of Smaug is a fast-paced thoughtful energetic sequel.
Loved how Thorin (Richard Armitage) dematerialized the imposing gold statue in his attempt to defeat Smaug, thereby symbolizing his own surmounting of the Scrooge-like pretensions akin to the acquisition of limitless wealth.
Kind of cheesy in the final moments.
Nice cliffhangers nevertheless.
Monday, December 17, 2012
The Hobbit: An Unexpected Journey
Back to cinematic adaptations of J.R.R. Tolkien's world of fantasy.
Back to the shire.
Back to where, it all, began.
Whence an heroic team of dwarves accompanied by one wizard and one hobbit depart in search of adventure, eventually discovering arboreal displacements, upon which they regroup to fend off those who have tamed wanton fury, when the leader amongst them accepts the challenge of a daunting fiend, and his subsequent missteps are gallantly regrounded.
As unity intends.
If you liked The Lord of the Rings trilogy, I can't see why you wouldn't enjoy The Hobbit: An Unexpected Journey. The Goblin King (Barry Humphries) was a bit of a let down and the same frustrating sense of resigned naive invincible epic substantial critical unwavering exactitude permeates much of the dialogue/action (it's cheesy), but I liked following the troupe throughout their travels, was happy to see many familiar faces, loved Radagast's (Sylvester McCoy) bold rabbitsledding, and found Bilbo (Martin Freeman/Ian Holm) to be a metamorphic symbol of situational alertness.
As he takes up the cause.
Differing conceptions of etiquette acrobatically contend, if you're a fan of the old cartoon there's a playful intertextual dialogue (big fan), the domain of wizardry is environmentally piquanted, philology is advantageously crescented, and the legendary takes on a robust realistic candour.
Through questing.
And check this out. Wish I spoke Russian or that it contained French or English subtitles.
Back to the shire.
Back to where, it all, began.
Whence an heroic team of dwarves accompanied by one wizard and one hobbit depart in search of adventure, eventually discovering arboreal displacements, upon which they regroup to fend off those who have tamed wanton fury, when the leader amongst them accepts the challenge of a daunting fiend, and his subsequent missteps are gallantly regrounded.
As unity intends.
If you liked The Lord of the Rings trilogy, I can't see why you wouldn't enjoy The Hobbit: An Unexpected Journey. The Goblin King (Barry Humphries) was a bit of a let down and the same frustrating sense of resigned naive invincible epic substantial critical unwavering exactitude permeates much of the dialogue/action (it's cheesy), but I liked following the troupe throughout their travels, was happy to see many familiar faces, loved Radagast's (Sylvester McCoy) bold rabbitsledding, and found Bilbo (Martin Freeman/Ian Holm) to be a metamorphic symbol of situational alertness.
As he takes up the cause.
Differing conceptions of etiquette acrobatically contend, if you're a fan of the old cartoon there's a playful intertextual dialogue (big fan), the domain of wizardry is environmentally piquanted, philology is advantageously crescented, and the legendary takes on a robust realistic candour.
Through questing.
And check this out. Wish I spoke Russian or that it contained French or English subtitles.
Subscribe to:
Posts (Atom)