Showing posts with label The Spierig Brothers. Show all posts
Showing posts with label The Spierig Brothers. Show all posts

Friday, January 28, 2022

Predestination

Difficult to say what you would have done differently if you had possessed prescient knowledge way back when, would there simply have been more of an enigmatic emphasis, or would things still have proceeded without grandiose change?

A self-indulgent question to be sure creatively occurring if you've ever had time to consider the past, hypothetical degrees of forlorn or joyous intensities increasing, depending on whether or not temporal interventions could have facilitated alternatives.

But such alternatives would have opened up unforeseen potentialities which may have been more prosperous if not worse, manifold striking unpredictable variables accompanying sundry indefinite outcomes.

Such a perspective almost makes the act of engaging in trivial decision making, seem much more epic in light of the infinite imperceptible comic echoes. 

Would I have wound up teaching in Paris or exploring the bush laidback in Chibougamau, peacefully working away at the Granby Zoo or fishing off the coast of Sept-Îles?

Predestination introduces a time machine and a somewhat invariable interdimensional occupation, wherein which operatives monitor the past to attempt to hinder voltaic malfeasance. 

The rules are quite strict no nonsense the agents are watched with meticulous scrutiny, one attempting to improvise nevertheless after a lifetime of loyal service (Ethan Hawke as the Barkeep).

He befriends a recruit who's alone living a generally solitary existence, having grown up in an orphanage unencumbered by the temptations of bourgeois life (Sarah Snook as the Unmarried Mother).

Could she make a good agent who knows! theory's quite different from work in the field, but at least they have something to talk about over a drink at random one evening.

Even if you had a time machine and could travel back and forth to different ages, how would you ever settle in without standing out like a shocking oddity?

Would you be able to understand the dialect or codes of conduct with enough fluent ease, to do simple things like find lodging or food, and wouldn't the smell be repellent?

I suppose like so many things you'd have to proceed with trial and error, the first jump somewhat overwhelming the second and third perhaps less of a shock (if heading to the same location).

Could a thorough interest in Star Trek help to prepare one for such endeavours, as a kind of theoretical support, perhaps lacking practical value?

Predestination travels time like no other narrative I've seen before, much more concerned with characterized mystery than grandiose spectacle fantastic intrigue.

If you were to meet yourself 25 years ago have you any idea what you'd say?

Predestination has a unique answer.

It's really well done.

A must see for time travel fans.

Sunday, January 10, 2010

Daybreakers

Vampire films. I'm a sucker for vampire films, especially when they receive a glowing review in The Globe and Mail. The Spierig Brother's Undead was a solid horror flick so I was pleasantly surprised to see that they crafted Daybreakers as well, this time with a significantly larger budget. Within, vampires have taken over the earth and humans have become farm animals, brutally supplying their eternal masters with a bountiful supply of blood. But humans have become scarce, and, without their abundant blood supply, vampires are turning into bat-like creatures known as sub-siders, more animal than humanoid. Modest vampire Edward Dalton (Ethan Hawke) (who refuses to drink human blood) searches for a blood alternative but his experiments come up short as time begins to run out. Enter Lionel 'Elvis' Cormac (Willem Dafoe) and partner Audrey Bennett (Claudia Karvan), two tough-as-nails humans looking for a way to mass market the cure for vampirism they've discovered, much to Dalton's surprise. The three form a tenacious triumvirate of dedicated researchers avidly searching for an experimental miracle. Fighting them are the forces of Bromley Corporation, lead by Charles Bromley (Sam Neill), who prefers the taste of human blood and isn't that interested in finding a cure. In the end, there's a sensational showdown quirkily equipped with a blistering bloodbath, dramatically delineating the high interest stakes.

While generally entertaining, Daybreakers is seriously predictable. Didn't have to use much brain power to figure out what was going to happen next. I also didn't take to the plot twist involving Bromley's daughter Alison (Isabel Lucas) and thought it could have been replaced with something more subtle. Ethically, the Spierig brothers seem to be saying that if everyone wants to be part of the elite, eventually their blood supply, the working person, will run out, and the only cure for their unholy elitism will be to become human once more. However, that transformation needs to be slowly nurtured (as the scene where the soldier vampires devour one another indicates) for otherwise revolutionary chaos will ensue ala The Soviet Union. Of course the only people capable of leading this quiet revolution have no means of marketing their humanitarian solution, but at least they're aware of the problem and are trying to do something about it.