Resonant revitalization, on the Appalachian Trail, two older mismatched friends braving the wild to reaccess their incontrovertibility, their lives having followed different paths, one ensconced in yet troubled with bourgeois accomplishments, the other on the run from the law, the trail acting like a synergizing synthesis, adventurously stylizing nostalgic grievances, a larger than life extremity, harmonizing any ontological playing field.
Tomfoolery and mischief blend with reflections on life and living to nurture the wilful and the woebegone as they interact with experts and randomly improvise along the way.
I found myself indirectly identifying with Bill Bryson (Robert Redford).
I suffered with him during his Fox Newsesque interview, as he said the wrong thing at the funeral, mentioned 2 ways that writers often matriculate, had trouble understanding the allure of video games, was frustrated when Stephen Katz (Nick Nolte) brought up embarrassing old stories at the dinner table, and took his first step on the Appalachian.
Although I wouldn't have commented about it.
A Walk in the Woods is a fun family film, like Planes, Trains & Automobiles meets Tracks, although not as strong as either of those films, comfortably offering im/mature commentaries, sentimentalized by 2 actors whom I've loved over the years.
With some cool contemporary and old school cameos as well.
It's also a bit rushed, it flies through a bunch of scenes which I thought could have been explored with more depth, and you often know exactly what's going to happen.
I'm sure two black bears rummaged through Bryson and Katz's campsite in the book, but I've never read about adult black bears foraging together, unless they're salmon bears, or two amorous bears who sometimes spend a week or more together in an affectionate courtship ritual.
They still could have been adult bears foraging together, it may happen, but I think it's more likely that they were cubs who had just left their mother, and the bears featured in A Walk in the Woods are massive imposing beasts.
It's still a funny scene.
Actually saw my first black bear in Shenandoah National Park. I'll always remember how incredible that was. I suddenly look up in the field my father and I were hiking through to see a bear 15 feet away. We backed off at a moderate pace just to be safe and then watched him or her from a distance for over an hour. It was one of the best wildlife experiences of my life.
Oh, and it's really obvious that some of the nature scenes in A Walk in the Woods were shot in a studio.
Bummer.
Showing posts with label Ultimate Hiking. Show all posts
Showing posts with label Ultimate Hiking. Show all posts
Tuesday, September 15, 2015
Friday, February 6, 2015
Wild
One foot forward, a crushing weight backpacked, stricken through the desert, identity intact.
To the summit.
Waves of energizing and/or haunting memories intermittently bombarding and/or enlivening, accomplishments, missteps, experimental independence mixed with overwhelming grief dealt with through taking on a herculean quest for conscious convalescence, reestablished resilience, contemporary being flushing out the destructive life choices made after the death of a loved one, and their corresponding affects on friends and family, a path with a goal and a purpose, the Pacific Crest Trail, blistering heat and instructive elevations, gear, wildlife, companionship, the impossible slowly dispersing picturesque probabilities, a new sense of self, persevering in the hearth throes.
Emerging.
Jean-Marc Vallée's Wild sets out into the wilderness to build a future by confronting the past, through presence, chillingly capturing subconscious correlations, raw elemental exacting births.
She's tough.
Cheryl Strayed (Reese Witherspoon) improvises her way with sheer grit and determination, poetically driving her will, its valleys and peaks, a subtly directed incarnation.
Editing by Martin Pensa and Jean-Marc Vallée as John Mac McMurphy.
Live in the world while focusing on the beautiful.
Posture outfox and sidewind.
Overcome.
To the summit.
Waves of energizing and/or haunting memories intermittently bombarding and/or enlivening, accomplishments, missteps, experimental independence mixed with overwhelming grief dealt with through taking on a herculean quest for conscious convalescence, reestablished resilience, contemporary being flushing out the destructive life choices made after the death of a loved one, and their corresponding affects on friends and family, a path with a goal and a purpose, the Pacific Crest Trail, blistering heat and instructive elevations, gear, wildlife, companionship, the impossible slowly dispersing picturesque probabilities, a new sense of self, persevering in the hearth throes.
Emerging.
Jean-Marc Vallée's Wild sets out into the wilderness to build a future by confronting the past, through presence, chillingly capturing subconscious correlations, raw elemental exacting births.
She's tough.
Cheryl Strayed (Reese Witherspoon) improvises her way with sheer grit and determination, poetically driving her will, its valleys and peaks, a subtly directed incarnation.
Editing by Martin Pensa and Jean-Marc Vallée as John Mac McMurphy.
Live in the world while focusing on the beautiful.
Posture outfox and sidewind.
Overcome.
Tuesday, June 17, 2014
Tracks
I've always enjoyed a good hike.
Set off into the woods, seek, explore, discover.
After a solid hour-and-a-half to two hours though, 4 hours in British Columbia, I've usually decided it's time to head home, or to a café, either way, to drink coffee, and reflect upon sights seen.
Tracks's Robyn Davidson (Mia Wasikowska) approaches hiking quite differently.
Tired of her predictable daily routine, she decides to hike across Australia's Western desert, departing from Alice Springs with her playful dog, an adventure similar to one which her father embarked upon in Africa decades previously, her goal, to reach the Indian Ocean.
She digs-in and grinds.
Problem.
She needs camels.
Solution.
She works hands-deep-in-the-grit with camel herders until she's learned how to train and lead them, during which time she's ripped-off by a cantankerous old jackass, which only strengthens her resolve.
She eventually receives enough funding to begin with the help of a National Geographic photographer (Adam Driver as Rick Smolan) with whom she begrudgingly strikes up a romance, which intensifies the film's risk-fuelled desert induced heat.
Tracks is still family friendly and Davidson's ultimate hiking is condensed into a series of mis/adventures, plenty of material presented, at a fast energetic pace.
Obviously with a hike such as this, especially considering all the snakes in Australia (Canada only has rattlesnakes scattered here and there throughout the country [it's too cold for poisonous snakes {I can't prove that}]), much can go wrong.
But Davidson takes the setbacks in stride, always focused and determined, unyieldingly pursuing her sweltering objective.
There's a sequence near the end where Alexandre de Franceschi's editing aptly pressurizes Davidson's delirium, intertwining disorienting shots of character and landscape, to accentuate both the length and strain of her quest.
Tragedy strikes here as well, which was somewhat unexpected, since at other points balms are provided to ease the tension, shade provided for her dog for instance.
Intermixing the stubborn, the dedicated, the supportive, and the persevering, to concisely celebrate a triumphant human spirit, Tracks is a seductive struggle that can be constructively accessed by diverse audiences.
Don't think I'll ever be able to hike for longer than 4 hours myself.
How do you pack that many sandwiches?
An extended North-South trek through Patagonia would be fun some day though.
Searching for spectacled bears.
(Which don't live there I'm told).
Set off into the woods, seek, explore, discover.
After a solid hour-and-a-half to two hours though, 4 hours in British Columbia, I've usually decided it's time to head home, or to a café, either way, to drink coffee, and reflect upon sights seen.
Tracks's Robyn Davidson (Mia Wasikowska) approaches hiking quite differently.
Tired of her predictable daily routine, she decides to hike across Australia's Western desert, departing from Alice Springs with her playful dog, an adventure similar to one which her father embarked upon in Africa decades previously, her goal, to reach the Indian Ocean.
She digs-in and grinds.
Problem.
She needs camels.
Solution.
She works hands-deep-in-the-grit with camel herders until she's learned how to train and lead them, during which time she's ripped-off by a cantankerous old jackass, which only strengthens her resolve.
She eventually receives enough funding to begin with the help of a National Geographic photographer (Adam Driver as Rick Smolan) with whom she begrudgingly strikes up a romance, which intensifies the film's risk-fuelled desert induced heat.
Tracks is still family friendly and Davidson's ultimate hiking is condensed into a series of mis/adventures, plenty of material presented, at a fast energetic pace.
Obviously with a hike such as this, especially considering all the snakes in Australia (Canada only has rattlesnakes scattered here and there throughout the country [it's too cold for poisonous snakes {I can't prove that}]), much can go wrong.
But Davidson takes the setbacks in stride, always focused and determined, unyieldingly pursuing her sweltering objective.
There's a sequence near the end where Alexandre de Franceschi's editing aptly pressurizes Davidson's delirium, intertwining disorienting shots of character and landscape, to accentuate both the length and strain of her quest.
Tragedy strikes here as well, which was somewhat unexpected, since at other points balms are provided to ease the tension, shade provided for her dog for instance.
Intermixing the stubborn, the dedicated, the supportive, and the persevering, to concisely celebrate a triumphant human spirit, Tracks is a seductive struggle that can be constructively accessed by diverse audiences.
Don't think I'll ever be able to hike for longer than 4 hours myself.
How do you pack that many sandwiches?
An extended North-South trek through Patagonia would be fun some day though.
Searching for spectacled bears.
(Which don't live there I'm told).
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