Tuesday, March 21, 2017

A United Kingdom

It's bizarre how something as wonderful as two people falling for each other can have so many painful consequences, and how surrounding support networks, which are also supposed to be amorously bound, can suddenly disappear after the declaration, in an appeal to what the slighted individuals oddly refer to as shame.

It seems more shameful to me to cast out a loved one for following their heart and deciding to live with/date/marry . . . the person they hold dear.

People have been writing similar things for millennia because the problem has persisted for millennia and adults often don't consult 5 year-olds for solutions to such matters, even though in such cases the youngsters often possess a much clearer understanding than the mature grown-ups scorned.

In terms of race anyways, unless their parents have corrupted them at an early age.

When Ruth Williams (Rosamund Pike) and Prince Seretse Khama (David Oyelowo) engage in Amma Asante's A United Kingdom, and then marry, their contentment is multilaterally assaulted.

The British government is relying on its South African income to stay afloat after World War II , and since Khama is the hereditary heir of what eventually becomes Botswana, the South Africans, who have just enacted apartheid, are enraged by his betrothal to a white woman.

Correspondingly, his family, who have been begrudgingly living for decades under pretentious conservative British rule, sees their marriage as an affront to African dignity, the coddling of the colonizers, and regards their happy union with contempt.

The politics of empire are obviously quite complex, and if an important revenue stream is dammed up, ways will be found to ensure it continues flowing.

Thus, Khama is blocked in his attempt to begin governing his domain as the British cut him off after his uncle (Vusi Kunene as Tshekedi Khama) betrays him.

But democratic appeals to the British and Bechuanan public generate sympathy for the controversial lovers, and a working solution begins to materialize.

A lot of unforeseen trouble for the young couple.

Who steadfastly remains harmoniously united.

A United Kingdom breaks down the best and the worst of sociopolitical matrimonial relations to champion integrity as opposed to bland disgust.

Family friendly yet bold and powerful, it romantically digs deep to forge new ground, celebrating ethical reimaginings of the political, and two tenacious nestlings, who were fortunate enough to fall in love.

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