Antigone

Tragedy strikes an immigrant family as their eldest son (Hakim Brahimi as Étéocle) is shot down while protesting his brother's arrest.

His brother (Rawad El-Zein as Polynice) sees what has taken place and responds with violence, adding assaulting a police officer to his crimes, which may lead to his deportation.

Their family bonds are tight and strong, and his sister Antigone (Nahéma Ricci) has a plan, to secure his dauntless release, even if it means she'll have to do time.

Her plan's a success, he escapes, she's arrested, and she settles in at the juvenile detention centre.

Where her brave actions are swiftly called out, in consideration of her brother's transgressions.

She's determined, dedicated, feisty, immutable, her conscience uprightly resolved.

Her partner (Antoine Desrochers as Hémon) fights for her integral freedom.

Stirring up quite the intense media frenzy.

No easy answers in this one.

The classic compelling mind*&%#.

Ethical issues abound as hearts clash in Sophie Deraspe's Antigone, a brilliant reimagining of the play, creatively and controversially brought to life, through the art of aggrieved contemplation.

Antigone's somewhat well-integrated.

She even won a scholarly prize.

She's by the book, constructive, rational, no-nonsense, the film critically absolved by her defiant reserve.

It's puzzling that she takes such risks for a career ne'er-do-well, yet provocative inasmuch as she avails.

The film intermittently interrupts the action with clever feverish pop-cultural analyzes, energetically presenting high octane observations, situating the narrative in the world at large, a broader multicultural context, that expands as the trial gets underway.

It's a convincing drama that excels at realistically depicting youthful and aged antagonisms, clearly in touch with the alternative views, and the ways in which peeps struggle to understand them.

Although Antigone's youthful rebellion ironically upholds old patriarchal schools, a cunning syntheses on behalf of Deraspe, who boldly articulates so many sharp distinctions, without seeming sentimental or preachy.

I'd argue Antigone upholds a great Québecois tradition of crafting rebellious films which make you think, like Mommy, Vic + Flo ont vu un ours, Quand l'amour se creuse un trou, or 1er amour, a unique style that's totally its own, that asks hard questions that have no answer.

But it's in trying to answer them that these films imaginatively assert themselves, as life presents impenetrable codes, as disconcerting as they are enlivening, basking in comprehensive intrigue.

There's no frosty sugar coating.

Just reality, action, dilemmas, mistakes.

Life.

Active living.

Insert The Matrix.

Bewilder.