Tuesday, December 24, 2019

Last Christmas

Carefree actions solipsistically proceed provoking criticism from friends and family, as an angelic ingenue can't adapt to grown up surroundings, yet still seeks age old immersions, repercussions notwithstanding.

Plus a place to crash for a while.

She could be doing well if she focused a bit more intently, but she's mastered everything at work (not me, Emilia Clarke as Kate), and doesn't realize she's full-on bored.

The dating scene provides nightly distractions replete with unpredictable highs and lows, but everyone she knows is pairing off, and don't have time for young adult shenanigans.

Yet as she flounders and misperceives a kindhearted beau comes a sweetly calling, appearing at opportune times, looking for more than just random repartee (Henry Golding as Tom).

He's nice so he's initially ignored but that doesn't mean he's not making a good impression, something reliable like grandma's home cookin', the Parc 80 bus, Cinéma du Parc, or Parc Jeanne-Mance.

Yet even as things start to seem perfect, and realignments lead to deep rapprochements, something bewilders anon beyond expression, with otherworldly immaterial spirit.

Could it be that the stars have aligned and Kate's begun to accept motivational absurdities, work fuelling her bright recrudescence, with biodegradable salubrious levity?

That she's rediscovered longlasting momentum?

Just in time for Christmas?

I can't say for certain, although Last Christmas is a very cool Christmas film, reimagining traditional themes with endearing revelation, stratified with delectable felicity.

Evaluating a Christmas film according to less festive criteria, misses the supernatural sentiment, inasmuch as it's something different from standard verbose ephemera, that's enthused with yuletide counterpoint.

The supernatural elements in Christmas films arise from less contemporary ingenious distillations, elements that can still dazzle and innocently sway, if they aren't considered realistically verifiable.

If you take a vibrant culture aligned with realistic endeavours and wipe out all its predilections for fantasy, you risk the same errors a theocracy generates as it uniformly glorifies legendary impossibility.

The Holiday Season adds a bit of harmless realistic fantasy to a world that's often obsessed with logic, and it's not that logic's a bad thing, but without fantastic distractions it can breed depression.

There's a book there.

Last Christmas blends reality and fantasy with charming even hardboiled engagement, introducing multiple relatable realities, enlivened through tangible spirit.

It's not hard to let loose and enjoy traditions that may indeed seem somewhat absurd.

Is it better to always laud materialism?

There's too much coincidence to suggest that's all there is.

Even if it's foolhardy to try to classify it.

Happy Holidays everyone, whatever you celebrate this time of year!

I hope you're enjoying time with friends and family.

Chillin' a bit with elastic cheer.

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