Terror of Mechagodzilla

Robotic remnants sensationally scattered seabed sentiment covertly collected, awestruck absence belittled jaunting seductive salvage automaton rancour.

Dilettante dinosaur secluded submersion indelicate mind coercive concept, malignant control symbiotic surrogate submaritime sawdust cantankerous clippings.

Stealthy environs determinate strategy hamstrung hijacking tantalizing salience, interplanetary postures ambient armageddon abhorrent apocalypse enigmatic experiment. 

Familial felicity parental pondering dogmatic child filial fidelity, cloistered core values innocent isolation dutiful dagnabbit sequestered solace. 

Indisposed resurrection mechanized reanimation Domtar domination Mechagodzilla, disputatious temperaments argumentative outbursts insouciant ardour eclectic acrimony.

Finagled friendship tantamount teamwork tumultuous talents solemn smithereens, colossal candidature misaligned militants monstrous agglomeration global annexation.

Clandestine infiltration insatiable station erratic complacence dissident contemplation, eminent embarkation exotic distillation yabba-dabba nascence Doonesbury cadence.

Conscientious reluctance harbinger hesitance awkward immersion frenetic fervour, disciplined dalliance rebellious remonstrance Ringwaldo whereabouts lumberfreejacoby's.

Damselznick infatuation co-opted cohesion nefarious negligence neolithic hide, discursive disruptor alien agonzo meticulous Malachi Mt. Rushmoroeuvre. 

Canteborn conducive Caladan candlelight amorustik-tok acoustic ambrosia, agonized decomposed sullen altercation romantic maladroit dissonent engagement. 

Truculent emergence legionnaire lizardoz counterintuitive calicode succour, impassioned battle gargantuan Grenoble despondent destruction gainsay Godzilla.

Epoch endurance silicon studios eccentric enchantments mayhem metamorphoses, consistent concomitant delirious dramaturge ferocious febrile bewildering frequencies.

Endemic change multivariable matadors exuberant bastions abbreviated dispatch, agile acclimations bizarro adaptations extemporaneous interludes geologic sashay.

I wish I could get the sound Godzilla makes on my keyboard.

Audible discernment.

Wavelength latitude. 

Godzilla vs. Hedorah

Embryonic entity necrobotically nurtured infrequently on toxic sludge, post-war excesses woebegone waste detrimentally devastating fertile environments.

Non-existent strategic sustenance absent agendas a lack of will, built-up battlements pestiferous platforms swathed in sewage pernicious poison. 

Centripetal citizenship delicate direction scientific treatises elastic experiments, improvised research piecemeal prognoses acrimonious accidents exacting detail.

Innocent emphatic hopeful reveries freeform playtime spirited dreams, once widely feared and collectively criticized the colossal Godzilla resolutely revered. 

Alien life awkward extraterrestrials fumigaseously feasting on industrial run-off, handlebar hostilities universal clash intergalactic gauze interstellar antipathies. 

Rhythmic reverberations mythical music mirthful melodic hucklebear harmonies, serendipitous scales chromatic metre choral choir clef aerodynamic accolades. 

Worrisome windswept whac-a-mole waffling gargoyle gargantuan maladroit membrane, corporeal carnage objective lesion autocratic cauldron despotic debacle.

Thunderous thermal radioactivity electronic seven-eleven endocrine, scuba-divining oracular auspices clairvoyant cavalcade omniscientific. 

Bellicose brawndywine consistent contagion cumulous cudgel Florentine femurmur, nebulous 'nagerie opaque quibulletin austere obscurity pestilent penchant.

Sustainable mercantile healthy matriculation robust reclamation febrile reforestation, salubrious soil unembellished breath ameli'ore aquifer nutrient Nanabush. 

Refined respiration jungle gymnastics débutante desert mountainous malternate, undersea sequential subsumed serenity verdant conglomerate camplified glade. 

Cool to see the Godzilla movies sticking up for healthy environments.

Science constructively woven in as usual.

With the traditional focus on artistic expression.

Embowering conscience.

Cerebral simplicity. 

Gojira (Godzilla)

In the original demonstroustive lobotomy, Godzilla haunts the forbidding seas, nuclear testing having enabled his reemergence, with fabled bellicose unfiltered brawn.

Ships begin to disappear and the mainland must take observant action, and indeed scientifically investigate the forlorn embattled terrified region.

Island legend warns of a giant-dinosaur-like-creature who once roamed the surrounding waters, in excruciating flagrant frenzy from time to time or epoch to epoch.

Upon arrival, noted scientists bask in prehistoric awe, as the colossal-beastie revels chaotically throughout the aggrieved distant locus.

ReBorn of nuclear experiment which greatly enhanced his body armour, invoking proclamations of invincibility throughout the industrious domain. 

Yet another disastrous weapon may be able to resoundingly sting however.

Its creator hesitant to deploy its hubris.

In light of fervent fee-fi-fo-fum.

Making much more of a tantalizing attempt to bombastically craft a compelling narrative, the first enraged Godzilla feature proceeds rather like a serious film.

Complete with a definitive way to radically save their island home, as opposed to the habitual acquiescence to Godzilla's unhinged distraught fury.

Reminding me at poignant points of ye olde Frankenstein or even Dracula,  there's much much more of a diabolical urge to effervescently ferment a legitimate film here.

With the incumbent scientist battling his will to painstakingly study the ancient beast, as it recklessly employs surreal embittered conspicuous contumacious brevity.

If only Godzilla had peacefully remained inattentively submerged below, and refused to unleash devastation at random upon the unsuspecting surface.

Nuclear experiment having audaciously mutated his once sedate and aloof spirit.

Grandiose ambition, ominous relief.

Fortuitous fuel. 

For so many sequels. 

Godzilla vs. King Ghidorah

Unlike any Godzilla film I've seen before, Godzilla vs. King Ghidorah (1991) unreels as special effects were improving in Japan. They're still a long ways off from where they are now and a bit behind films like Star Wars or Aliens, but that doesn't mean the production team didn't use them as frequently and conspicuously as possible.

Plus, instead of using model vehicles real world tanks etc. were employed, more money spent on this instalment which radiates novel curiosity like none other.

Things are relatively peaceful in Japan as sundry professionals go about their business, a young writer tired of covering the supernatural hopes to break into the nonfiction market.

He hears a tale of an extant dinosaur who saved a battalion during World War II, and wonders if it was indeed the very lifeform whom nuclear experiments transformed into Godzilla.

Meanwhile, ambassadors from the future suddenly arrive with mischievous intent, claiming that Godzilla is such a pest in the future that he threatens the very existence of atemporal Japan.

They have a copy of the writer's book and hope to use it to find the dinosaur, whom they will then transport to another location so he never absorbs the transformative radiation. 

But it soon becomes apparent that contemporary politicians have been duped, as three cute bat-like genetically altered animals are transformed into King Ghidorah!

As Ghidorah levels Japan people realize once again that they need Godzilla; will approximate manifested manipulations exotically enable further monstrous malevolence!

It's actually a lot more complicated than that director/writer Kazuki Ômori went all out on the script, perhaps too much for one single Godzilla film but no doubt a feast for the over-the-top senses.

My theory that some dinosaurs lived for a great deal of time after their mass "extinction", seems to have been shared by inquisitive others actually brought up with ancient oral traditions.

Perhaps there's too much taking place in the inventive comprehensive macromanic King Ghidorah, but if you like consistent twists and unexpected developments legitimately hatched it's a frenetic frenzy.

Complete with a futuristic scenario where Japanese corporations control the world, it leaves no exuberant stone unturned as it ludicrously theorizes things yet to come.

Likely generating controversy in Godzilla circles around the experimental world, due to its incredibly ambitious undaunted seemingly limitless narrative daring, there's no doubt it's a fluidic must see in a league of its own crafting kernels incarnate, tantalizing transmutating treatises, disputatiously reverberating confounding as one.  

Kaijûtô no kessen: Gojira no musuko (Son of Godzilla)

A forgotten island off the beaten track hosts grand monumental experiments, as revered scientists seek to increase the expanding world's food supply.

Indeed it is speculatively thought that the vital crops sustaining humanity, will fall short of the requisite yields in little more than a 100 years.

Thus, using silver iodide, an ingenious solution is hypothetically put forth, to produce vast weather altering scenarios which create forbidden extreme temperatures.

How the cultivation of extreme cold will help generate abundant crops, isn't provocatively explained although it's assumed there is an answer.

Meanwhile, the scientific equipment periodically detects confusing anomalies, which startle the dedicated technicians who remain uncertain as to their origins.

Until after their first experiment generates hostile colossal preying mantises, who in turn destroy a barrier of rock, within which lies a massive egg.

Before they can devour what lies within the young one's father fortuitously arrives, the ensuing battle borderline epic as Godzilla Jr. watches in breathless shock.

Soon noble Papa Godzilla is eagerly instructing his newborn lad, in the titanic arts of aggrieved distemper, the two blossoming in flower. 

But Kumonga, the local giant spider, has had enough of their tender bonding.  

And when Godzilla drifts off into monstrous slumber.

It comes a' creepily crawling.

The sensational details of the riveting romance which brought about Godzilla's curious offspring, are unfortunately missing from this lively film, perhaps waiting to be found in another instalment.

Yet a newborn Godzilla indeed exists and once inquisitively enacted engrained mischief, however unaware of his gigantic rivals he aloofly appeared to be.

Thanks to his father's teachings he learns to fight back nevertheless, and even saves good old dad from Kumonga in an epic battle near the film's end.

As to altering the weather, hasn't that tended to be considered a disastrous calamitous mistake, the potential room for catastrophic error and international bedlam maladroitly pending.

There are just two many variables to holistically account for when creating such devices, many of which remain beyond our comprehension and also likely beyond that of A.I.

At least it was generally thought to be an incredibly bad idea long ago. 

We have advanced considerably.

But the forecast still lacks precision. 

Chikyû kôgeki meirei Gojira tai Gaigan (Godzilla vs. Gigan)

Godzilla finds himself fiercely dwelling on the sensational Monster Island, far away from the technobustle of old school contemporary Japanese life.

But as he rambunctiously resides a new threat from outer space descends, and intergalactically infiltrates unsuspecting Tokyo and proceeds to set up an amusement park.

Two local citizens become concerned when one of their siblings is mysteriously locked-down, and adventurously gamble on discovering his whereabouts while learning more about the corporation.

They're assisted by an emerging artist who was just commissioned to design the park, who's also able to prove the captive's existence, but not without resulting in their incarceration. 

They soon discover that upon another once verdant planet similar to our own, the primary lifeforms polluted too recklessly and eventually destroyed their fertile world.

Correspondingly, extant insect species were remarkably able to utilize their technology, and even build their own interplanetary spacecraft, to plan the bitter conquest of our precious Earth!

To aid in their colonialist endeavours they've macrocosmically enlisted Ghidorah and Gigan, who fly through space to our innocent planet and proceed to take out Tokyo.

Godzilla and Anguirus quickly arrive to boldly face the enraged duo. 

The alien species diabolically surmising.

That conquering Godzilla will bring about world peace!

Tough to logically situate ye olde Chikyû kôgeki meirei Gojira tai Gaigan (Godzilla vs. Gigan) within inelastic parameters, its traditional reliance on militaristic methods seemingly in conflict with its environmental ethos.

But perhaps as it enlists the army to bravely duel with the bellicose monsters, it also encourages it to tactically listen to its clairvoyant message regarding the environment.

Indeed it reasonably predicts the eventual downfall of our industrious species, as brought about by unchecked pollution pestiferously contaminating both oceans and land.

I wonder if Japan responded and what their environmental footprint's like these days, islands often take their environments much more seriously due to the lack of habitable space.

When you see that messages such as these were even to be found in Godzilla movies over 50 years ago, and much of the world still lavishly pollutes, it's easy to see why postmodern day environmentalists are increasingly becoming more and more prominent. 

Initiative and resolve game-changing macroalterations could creatively cultivate enduring neoharmonies.

Harris and Walz seem likely onboard. 

Which would probably nurture constructive movements worldwide. 

Godzilla x Kong: The New Empire

Kong devotedly explores his new home in search of more giant gorillas like him, his investigations resulting in multiple chance encounters with other beasts from the hostile region.

Meanwhile, unprecedented signals are cryptically sent from a vigilant science outpost, which causes confused Jia to have hallucinations the dream logic of which remains a mystery.

After the transmission of the signals Godzilla radioactively expresses himself, by commandeering a nuclear power plant in France and absorbing its unsurpassed Olympic resiliency.

Jia is having trouble at school and frustratingly feels like she doesn't fit in, missing her people and her old way of life she simply can't settle into the scholastic environment.

Fortunately, as incipient chaos galavantingly grips bewildered surface dwellers, a team is assembled to travel to Hollow Earth and find epic answers to cataclysmic questions.

Jia's adopted mom and her ex-partner Trapper plus bloggin' Bernie Hayes are along for the ride, to the cryptic realm where dinosaur-like beings still productively enable macroscopic shenanigans.

As Kong is led to find his people he locates them distressingly enslaved.

While Jia discovers her legendary import.

According to an ancient Hollow Earth tribe.

There's a lot happening in Godzilla x Kong: The New Empire as intense conflicts habitually invigorate, Kong and Godzilla routinely fighting as Jia deals with manifest mythology.

Bernie Hayes adds so much depth as he boldly improvises with heroic fortitude, and Dr. Andrews and her resourceful ex ajoutent parental guidance with ludicrous resolve. 

As the three main plots intersect I would say Kong's has the most appeal, his quest to meet his people stifled by autocratic banality, his consistent altercations more thrilling than Godzilla's. 

When Jia discovers that her voyage to Hollow Earth had been intuitively prophesized it makes for an intriguing plot thread, but it loses some of its mysticism as the enraged Titans reflexively battle.

It should be the principal focus from the viewpoint of so many other stories with similar patterns, narratives which are so much fun to watch, but New Empire's mayhem obscures the fascination.

Still a cool monster movie no doubt with an ethical focus on justice and dignity.

Incredible consistent action.

Classic 'zilla and Kong.

Godzilla vs. Kong

The idea that Antarctica is home to vast enticing treasures has spellbindingly appealed to me for many a year, the thought that it was once inhabited millions of years ago makes me envious of those who will see it thaw.

Godzilla vs. Kong speeds things up a bit to archaeologically respond to an emboldened theory, which maintains that the Earth is hollow and that an ancient civilization dwells within.

It's theorized that both King Kong and the mighty Godzilla resided there in their youth, and somehow broke free to disputatiously arise upon the newfound realms above.

King Kong settling on his cherished island where he made the fertile land his home, Godzilla residing beneath the waves at times emerging through bellicose intrigue.

Why must Godzilla attack when he consciously knows of King Kong's bearings, why can't they both make peace and congenially bask in apex acupuncture? 

I didn't even know there was a new Kong/Godzilla film when I wrote my Gojira tai Mekagojira review in early winter, I was just reviewing random Godzilla films because that's what appealed to me at the time.

But my Highlander Godzilla scenario certainly applies to 'Zilla and Kong.

And lo and behold Mechagodzilla as well!

I couldn't have been more pleasantly surprised. 

I hope people don't fight wars over Antarctica as it thaws, such endeavours would seem rather costly considering the inhospitable environs. 

Unfortunately, economic wealth does appeal to many but so does anthropology!, and if it significantly thaws during the wrong financial crisis competing nations may clash for its wealth.

Don't overlook the integral import of Indiana Jones films in the fantasy sector, they challenge plutocratic impeti and encourage intergenerational cultural growth (not resource exploitation).

Kong and Godzilla seem to come to terms after battling Mechagodzilla in Godzilla vs. Kong, as it seemed the United States and the Soviet Union resiliently would after defeating Nazi Germany.

Perhaps the next versatile film won't see the emergence of a cold war (I think it was just released), an archaeological investigation of the Hollow Earth would be apt perhaps featuring ye olde Dr. Jones.

In terms of constant improbable ridiculousness multivariably motivating competing interests, within a fast-paced imaginary plot where so many things could possibly go wrong, Godzilla vs. Kong doesn't disappoint and was a lot of fun to sit back and watch, multilayered and inherently uncanny, indeed what lies deep within the Earth?

It's at least as appealing as outer space! 

Maybe not that appealing. 

Gojira tai Mekagojira

An ancient island peacefully existing off the enlivening breathtaking coast, known for its stewardship and amiable governance suddenly embraces emergent chaos.

A prophecy enigmatically predicting the brazen arrival of a destructive monster, haunts the descendants of the Royal House which once freely administered the land.

Nevertheless, said prophecy also foretells the upswing of two courageous protectors, to halt the progress of the beast, and reinstate harmonious accord.

Without much pomp and circumstance the fated creature uproariously arrives, and begins pugnaciously a' plundering the calm and tranquil unsuspecting countryside.

Looking indeed rather like Godzilla yet not on friendly terms with his monster friends, it soon becomes apparent he's a massive robot after the real Godzilla burns off his skin!

Confrontation leads to complication and soon this Mechagodzilla needs repair, a reputed scientist coerced into fixing the damaged mighty formidable automaton.

When he's once again unleashed will Godzilla disputatiously authenticate?

With the help of the island's mythical saviour?

Once again, it is the legend.

You never know what to expediently expect when the aggrieved Godzilla supernaturally awakens, has he reemerged to engage in conflict or act as combative spiritual advisor?

In Mothra vs. Godzilla it's clear that he's furious with the mainland, and seeks uncompromising visceral discord as he belligerently proceeds forward.

Yet in Gojira tai Mekagojira he demonstrously radiates heroic acculturation, and sets about saving the honest land from covetous invasions from outer space.

Thus, it seems that ye olde Godzilla isn't instinctively interested in traditional teamwork, otherwise he would have noted a keen and like-minded ally in the bellicose bombastic bellwether beast.

Therefore, it appears Godzilla of old prefers to unleash carnage on his own, and must take the lead if disruptively disabling versatile socioeconomic infrastructure.

Hence, he's somewhat like an immortal and intuitively agrees there can be only one (in monster movies), I suppose it would be quite the problem if manifold Godzillas were roaming at large (note the current upsurge in right wing politics).

But has anyone ever considered a Highlander/Godzilla crossover where manifold Godzillas contend for the prize?

Would it be any less ridiculous?

Godzilla Highlander.

Or Highlander Godzilla?

Mothra vs. Godzilla

A mysterious giant egg suddenly appears off the Japanese Coast, its contents baffling yet still intriguing, as diverse interests eclectically gather.

Unfortunately, environmental initiatives fail to posture before the egg is (absurdly) sold, by local entrepreneurial opportunists hoping to monumentally prosper.

A more ambitious wealthy exhibitionist hopes to create a theme park through Happy Enterprises, and entertainingly showcase the egg while also selling treats and delicious refreshments.

Concerned journalists soon learn of the plot and set about cultivating public opinion, hoping to create a massive uproar which may encourage government intervention.

They lament that there's no legal recourse to directly challenge the developers in court, especially after two miniature citizens suddenly arrive from Mothra's island.

Apparently, the typhoon sent Mothra's egg on a disquieting maiden voyage, and they've come to argue for its return especially since noble Mothra is dying.

The adventurists care not for her plight and refuse to give up their lucrative treasure.

Just as Godzilla comes a' callin'.

Hellbent on countercultural carnage.

A crash course in socioeconomics instructively awaits in Mothra vs. Godzilla, perfectly laid out with accessible language which any curious audience member would easily comprehend (with English or French subtitles 🤷).

Mothra vs. Godzilla may even indeed be a solid didactic tool to be used in classrooms across the land, schools effectively saving resources and time by simply showing this ridiculous film.

Perhaps that's what happened, there's no equivocal doubt that environmental regulations in some jurisdictions are much stronger, and that if you want to develop land like Ontario's Greenbelt, you first have to acknowledge local regulations.

Thus, the public outrage the journalists seek to nurture in ye olde Mothra vs. Godzilla (Mothra shows up in spellcheck but Godzilla doesn't), would likely also be backed up by laws progressively created over the course of the last century.

Hence, instead of bravely spending the last moments of her life epically battling the formidable Godzilla, Mothra could have cared for her fledgling young and perhaps even named or taken them for their first flight.

Perhaps Godzilla disputatiously emerged to figuratively encourage the creation of such laws, I've seen several nature shows about Japan, and it seems as if their wildlife is flourishing (except for whales 😢😭😿🐋).

Sad that Mothra had to physically give her life for such a turn of events to jurisprudently take hold.

Her larvae born argumentatively composed.

Their perspicacity irritating the aggrieved Godzilla!

Godzilla: King of the Monsters

Spoiler alert.

Godzilla continues to freely roam the Earth's oceans, with impunity, and since revealing his monstrous longitude, others like have him have indeed been discovered.

Across the globe, lying dormant in slumbrous isolation, as titanic as they are formidable, yet cute and cuddly if considered in miniature.

Bewilderingly conscripted, rogue environmentalists conjure 12 Monkeys, blending in Riddick's Elementals, to unleash destructive fury.

Environmentalists and scientists less interested in freeing giant monsters to destroy half the planet, challenge them, with the aid of the American armed forces, led by Admiral David Strathairn (Admiral William Stenz).

And after Godzilla is defeated by the 3-headed alpha Monster Zero, they track him to his underwater domain, determined to accelerate his convalescence, as he rests following menacing blows.

Mothra comes to his aid in the end, but the other monsters owe allegiance to his nemesis, and it's unknown who will victoriously prevail, while Earth's best and brightest instinctively speculate.

In Monster Zero's corner lies Dr. Emma Russell (Vera Farmiga), her ex-husband (Kyle Chandler as Mark Russell) backing Godzilla.

The result is as wild as it sounds, complete with mythological vindications.

A cool prehistoric Atlantian civilization is even found deep beneath the ocean's waves, abounding with architectural wonders, depicted as Godzilla's home.

How well does Godzilla: King of the Monsters cultivate its ludicrous blockbustering?, and how successfully does it exhale ridiculousness?

It doesn't lack sincere characters, even if what takes place is incredible.

It seems as if it wants to be taken seriously, although what transpires suggests it's of no concern.

There are a lot of cool comments mixed in with chest-pounds that led me to consistently laugh then shake my head, Bradley Whitford (Dr. Rick Stanton) stealing so many scenes, Ken Watanabe (Dr. Ishiro Serizawa) and Sally Hawkins (Dr. Vivienne Graham) adding sublime depth.

But seriously, weapons of mass destruction are no laughing matter, and shouldn't be used to solve problems, and even if Godzilla thrives on radioactivity, there's always a less explosive alternative.

The monster fights are super badass even if they're interrupted much too frequently.

Kyle Chandler's too much a lot of the time.

Which is kind of perfect for a blockbuster.

With the kitsch factor so high he could have made even more of an impact.

Although that could be saved for other films.

Ramboesque films, in which he wears a bandana.

Co-starring Bradley Whitford.

If King of the Monsters had been less serious, it would have been more ridiculous, which would have been nice, but I suppose it's not a comedy, even though it's the comedic aspects of blockbusters that make them memorable.

Too much woe perhaps.

Very heavy on the woe.

The bad decisions made in response to an overwhelming unknown.

Would world leaders really make decisions that shortsighted if confronted with giant monsters hellbent on destroying one another and/or taking over the planet?

Who's to say?

Pretty crazy new Godzilla movie anyways.

A must see for Godzilla alone.

Godzilla

The presence of two gigantic destructive monsters competitively reawakens the mighty Godzilla, perviously resting in his or her oceanic layer, content and comfortable, in its overflowing radioactive abundance.

Secrets have been kept from the people of Japan, and one man's overwhelming quest to ecolocute them, sets his son on the path to heroic indentation.

Project Monarch has known about the existence of these ancient beasts for decades and has been assiduously researching their origins, attempting to understanding what might be their purpose.

When it becomes clear that aspects of said purpose threaten the longevity of prosperous American cities, the characters hear the kitschy call.

Pinnacled to pressure.

If at one time in your life you found yourself watching every Godzilla film you could find, Gareth Edwards's Godzilla doesn't disappoint.

It's, pretty awful, intermixing enough cheesy sentimentality to settle anyone's disputes concerning the hyperactivity of microwaved plutonics.

But this is what's to be expected from a film respectfully paying homage to its amusingly light predecessors, like a refreshing glass of chilled mountain dew, stricken yet satisfying, all the way through.

Dr. Ishiro Serizawa (Ken Watanabe) impresses.

Some of the best deliveries I've heard in a blockbuster for a while.

How I looked forward to his next line with unfiltered anticipation.

The scene where the troops skydive into San Francisco is incredible.