Twilight

Catherine Hardwicke's new teenybopper flick Twilight explores the hearty hardline separating vampires and their human counterparts. Human Bella Swan (Kristen Stewart) moves from Phoenix to the small town of Forks, Washington, to live with her father (Billy Burke as Charlie Swan) and resume her studies. But Bella wasn't counting on meeting Edward Cullen (Robert Pattinson), a member of a local family of vampires who denies their natural thirst for human blood and feast upon animals instead (and also enjoy playing baseball). Their ferociously subdued romance turns heads and homesteads as members of the Native community (descended from wolves according to legend and wary of the Cullens) keep a sharp watch on Edward (whose family is supportively patronizing). Their foes are many and their attachment precarious but these streams still cross affectively, aptly demonstrating the illustrious intrigue engendered by a star-crossed couple unafraid to unleash their picturesque passion.

Thereby defeating Gozer.

Definitely the most romantic vampire film I've seen, Twilight's easy going slow moving pacing is problematically perforated by the introduction of villains. S'pose some kind of overt conflict's to be expected in a vampire flick, and it was made for a younger audience, but removing the formulaic evil presence (clearly included for the males of the species) and investigating the covert cultural pressures more sanguinely would have enhanced Twilight's clandestine charm, thereby structurally reflecting the sun's scintillating effects upon the Cullen's skin. Rich in bucolic beauty, drenched in kitschy sophomoric artistry, Twilight magnifies the lengthy measures a coruscating couple must resiliently recite, while wisely suggesting that it's worth it.