Funny People

Funny People's pretty funny but the last third of the movie tanks. Extremely successful comedian George Simmons (Adam Sandler) gives down on his luck funny man Ira Wright (Seth Rogan) the opportunity to write jokes for him after he discovers he has a terminal illness. The two develop an odd sort of acquaintanceship, Wright's fortunes improve, and Simmons is miraculously cured. Afterwards, George decides to make amends for his lecherous youth and make it up with one time girlfriend Laura (Leslie Mann), at which point the film takes a disastrous turn, with even the fight between George, Ira, and Laura's husband Clarke (Eric Bana) falling flat. Which is unfortunate since so many films end when their cantankerous antihero awakens moralized (As Good as it Gets for instance), and director/writer Judd Apatow decided not to follow this trend.

There are more problems: in Funny People's last act, we lose supporting characters Leo Koenig (Jonah Hill) and Mark Taylor Jackson (Jason Schwartzman) whose offbeat temperaments helped carry the opening moments. There's a terrible musical interlude where George sings a maudlin song whose only saving grace is that it must have been ironic (it attempts to generate sympathy for Simmons but we haven't known the character for long enough to grow attached, so Apatow circumvents our expectations by making the song terrible, although, perhaps the irony is absent insofar as we should have been expecting something terrible). And unfortunately, the dramatic aspects of the script require a little bit more depth than either Rogan or Sandler provide, which, to their credit, only increases the value of their comedy, for you have to be really funny to find yourself playing dramatic roles which are somewhat out of your league.

But Funny People has many positive features as well. James Taylor, Norm MacDonald, and Eminem have hilarious cameos within, as do many others. Throughout, we consistently catch glimpses of the extremely cheesy films Simmons has starred in during his career, an example of Sandler humbly making fun of his earlier work. And George and Ira positively change and grow throughout as a result of their constructive enmity, Ira falling for complicated love interest Daisy (Aubrey Plaza), George learning how to not be such a dickhole.

Not bad.