A murderer has avoided detection for decades. A journalist's reputation has been publicly ridiculed. A brilliant young researcher's incredible talent flourishes. A family's dark secrets seek revelation.
Patterns lie hidden within eclectic sources. Technological expertise facilitates their synthesization. The resultant thesis can be investigated with meticulous precision. Alternatives and subterfuges staggeringly structure the aggregate.
David Fincher's version of The Girl with the Dragon Tattoo is a sombre subterranean endeavour. Deeply digging into clandestine contrivances frenetically attempting to function without restraint, it descends into the feverish dementia affluently prospering beyond the restrictions of amicability.
And exorcises demons.
Ostracized individuals use their resourcefulness to disentangle an established privileged network from within and bring its mastermind to justice.
Having recreated a foothold within their culture's social fabric, divisions remain which prevent them from socializing on their gains.
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