Disillusioned by her culture's tradition of demanding that a mate be selected from a tiny prestigious feudal stock, and the rather strict regimen of feminine codes of conduct to which she must adhere, while the men train for battle, the feisty Princess shelves her mother's (Emma Thompson as Queen Elinor) strategic plans and rides off into a forested nexus.
Wherein resides her destiny.
And a witch who provides her with a treacherous tasty treat which turns her mother into a bear upon her return home.
August insurmountable accumulative wisdom having been startlingly transformed into the wild unknown, little Merida must find a way to relax the resulting tensions and restore order throughout the land.
As a product of adrenaline.
The film's piecemeal approach to socio-cultural structural modifications presents a practical framework within which transfigurations can be cunningly concocted, considering the myriad factors which need to be balanced when tempering historic-ideological architectures.
Wasn't impressed by its top-down approach however.
The bears are pretty cool though.
Not the ferocious bear.
Suppose the other bears aren't really bears either.
There are moments of playful grumpy bearness nevertheless.
Bears.
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