Miraculum

Flight plans, guilt-ridden, felicitous, miserable, and emancipating flight plans, desperately intermingle differing degrees of shock, immersed in Daniel Grou's Miraculum, as risks deteriorate familial stabilities, and the concept of vice, is multifariously de/moralized.

Synoptic suffering.

A weary outcast attempts to make amends through profits earned from drug smuggling.

An affair crushes and/or enlivens the members of two elderly couples.

Distant addictive empty partners seek to rejuvenate their marriage.

A struggling Jehovah's Witness is tempted by secular advancements (blood transfusions).

The four stories downtroddenly unfurl within and without (like Babel or Tian zhu ding), lucidly pinpointing vectorized vertices, occasionally peaking ensemble, dedicating a despondent deconstructive density to open-minded conscientious plights, which resists clear and distinct binding generalizations, to materially matriculate the mundanely divine.

Although communal belonging is fluidly challenged as unforgiving bulwarks fortify their positions.

Wherein resistance is rather futile.

Miraculum isn't like pastis, milk, and honey, more like a caressing melancholic ideological tempest, compelling in its whirlwinds, tight, multifaceted, challenging.

Editing by Valérie Héroux.

Written by Gabriel Sabourin (Valérie Beaugrand-Champagne consulting).

It breathes difficult distinct tetralectics into profound ethical quotients, corrugating crisp conceptions of the beautiful, rationally masterminded, exacting, composed.

Keeping you focused at full attention.

Built to multilaterally stimulate.