Interstellar

Times have changed, and centuries of polluting irresponsibly and unaccountably have left the Earth's soil predominantly barren, unsupportive and lifeless, the survivors carrying on, old pastimes still cherished, historical insights curiously revisited, a voice from the future, codes risen in dust, a father's love for his family, paramount, indeed to be sacrificed.

The big picture.

To do it all again, or make alternative choices.

A mission which cannot be refused.

There's no time to panic, no time, to hesitate.

It doesn't use scare tactics, Interstellar's quite reasonable, scientific.

There are options, pros and cons, we must do this, and hope there's enough time to find a solution.

Elements of the classic Western are reliably built into the script like quiescent caregiving sweet nothings, or an afterthought, a reflex, a calm level-headed proactive reflex, hindsight's compendium, temperately transitioning to science-fiction, its environments still cruel and unforgiving, and wild, with neither monsters nor civilizations, just will power and the unknown, assignments boldly navigated.

Survival.

Some wild cards are thrown into the mix which rely more heavily on the tropes of science fiction, an intergalactic clue, an explosion of self-interest, but they're skilfully intertwined, Interstellar quietly ascending in investigative baby steps, from the micro to the macro, mellowly maturing, to blow you away in the end.

I preferred Inception, and Inception's ending, but the same mix of cognitive entertaining emotive rationality still humanizes Interstellar, and its climax is as strong if not stronger, depending on which film you prefer.

Nolan suddenly creates a bucolic, like Birdman's bucolic foil, after having spent so much time in dreams and Gotham City, outstanding career move, this director is multidimensional.

It's worked into the script.