Batman v Superman: Dawn of Justice

The Highlander spirit invades the filmic realm of DC Comics as Bruce Wayne/Batman (Ben Affleck) jealousy covets Clark Kent/Superman's (Henry Cavill) illustrious fame.

Politicians fear Superman as well due to his pseudo-invincibility and total lack of accountability.

The unlikely possibility exists that this polite self-sacrificing all-powerful lightning rod may one day grow tired of protecting the innocent, and instead choose to subject them to the whims of his desire.

Thus, both Batman and leaders from the United States decide to chip away at his impeccability, in attempts to achieve superiority over that which cannot be subjugated.

Lex Luthor (Jessie Eisenberg) is also involved, diabolically ensuring the three battle judiciously.

Superman, who doesn't understand the point (he's committed to do-gooding), infuriates Batman with his lack of concern, his foolish disinterested dismissals driving Batman into a bigoted raged-fuelled arms race (Batman doesn't like that he's an alien) which eventually constructs überBatman.

While conducting his research, he also discovers the existence of other potential superheroes, eternally co-existing with humanity incognito, like Star Trek's Requiem for Methuselah, one showing up at his darkest hour.

When it becomes clear that there can be more than one, teamwork transcends, and vision radiates.

Batman v Superman: Dawn of Justice passes, but slips-up from time to time.

How many times can Superman save Lois Lane (Amy Adams)?

It takes awhile for the new Lex Luthor to gather steam (his introductory scenes lack character).

Would have liked to have seen him learning more from the archives on Zod's (Michael Shannon) ship as well.

You can tell Batman's fighting in a computer generated filmscape during one of his sort-of-cool dream sequences, and it's kind of lame.

The batmobile chase which Superman abruptly halts is also kind of lame; some of the action is precise yet slow in its frenzied variation.

Love Jeremy Irons (Alfred) but Michael Caine's Alfred is tough to beat.  Irons looks too young.

I watched The Dark Knight a couple of times recently and I'm convinced it's the best superhero film ever made. It rationalizes the sensational with polished grit and streetwise poignancy while making the highly dubious seem plausible through expertly timed captivating motivations.

Not easy to follow Christopher Nolan.

Still, Dawn of Justice has merit. Batman's introduction is startlingly clever.

Wonder Woman's (Gal Gadot) introduction is epic.

Politicizing Superman works while highlighting petty indignities that often pervade political realms.

I liked how Clark Kent fights with Perry White (Laurence Fishburne) to bring back the American consciousness, and how Lois then fights with Superman to remind him of this insight.

Solid Kevin Costner cameo (Jonathan Kent).

Batman's descent into villainy functions as a warning to activists on the left, as does Superman's dismissal of Batman, the activists who want to be the best activist out there and proceed to alienate all kinds of fellow activists in the process, potentially turning them into bitter cynics, making peaceful activism seem like olympic gymnastic tryouts, it's supposed to be the right that believes there can be only one, pre-emptive strikes are most recently the product of the George W. Bush Administration.

Liked how they set up the expansion of the DC film world.

With Marvel, Star Wars, and DC creating film after film after film, I don't know how the world/galaxy/universe will ever survive the constant bombardment of heroism.

I like it though.

It's kind of fun.

Most of the time.