A successful writer takes a risk in her most recent romance novel (Brooke Shields as Sophie), her adoring fans rather unamused, yet instead of taking their boisterous criticisms to supple caring heart, she openly defies them on daytime television, before taking off to Scotland.
Fortunately for her, at times different cultures see things differently, her latest book well received across the pond, she even joins a knitting group.
But first she explores the castle where she's suddenly taken roost, its lengthy history of literary interest along with its agile duke (Cary Elwes as Duke Myles).
Unfortunately for him, his debts are forcing him to sell, even though he could hold on to the castle, if he parted ways with its coveted farmland.
But then his tenants would have to move and he's an exemplary aristocrat, caring deeply for his people indeed for whom he feels responsible.
Sophie's headstrong ways produce unexpected uncertain affects, especially after she makes an offer, he has to admit, he likes it.
But it's still his cherished castle and it's been in his family for generations, he can't be expected to passively yield when a well-meaning upstart makes suggestions.
They passionately air grievances with increasingly affectionate disputatious praise.
As the Holiday Season takes hold.
And l'amour seems most inviting.
Perhaps it's too much to take in too much cute and cuddly grouchy romance, daunting challenges inspirational miracles haughty hesitation communal resolve.
Fervent fetching fortuitous fairytale or amorous callings too sweet and saccharine, I can't find fault with its grand magnanimity, nor its jolly merrymaking supporting cast.
'Tis true that there are many a miser who disputes the free-flow of capital, as it's applied to the needs of the many who would rather not live from paycheque to paycheque.
With disposable incomes do realms not flourish with ample sustenance and much less crime?
But there are also many rich folk who genuinely care for underprivileged plights, who are still trying to overcome encumbrances which dissuade the cultivation of relative prosperity.
A Castle for Christmas presents such examples and festively celebrates their strong self-sacrifice, showcasing sincere conscientious goodwill fumbling its way through traditional romance.
As pride adheres to the virtues of compromise age old traditions see communal rebirth.
I don't think I'll watch it every year.
Still enjoyed it this Holiday Season.
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