A mild-mannered father (Peter Cummins) takes up fishing off the rugged coast of Australia, securing a modest independent living for him and his only son (Greg Rowe as Mike 'Storm Boy' Kingley).
His wife passed on unfortunately and he never sought the hand of another, incredibly chill laidback pastoral but still stern about materialistic things.
His poor son would like a radio to tune into the outside world, he's naturally curious and doesn't attend school and would like to learn more about his bustling surroundings.
But he's not a brat, he doesn't bother his dad in routine disgruntled tantrum, instead he turns the beach and its enveloping countryside into a multifaceted mysterious classroom.
His habitual innocent candour leads to the making of animal friends, notably after finding some baby pelicans whose parents were likely shot by casual hunters.
He takes the babies home and helps to raise them with good ole dad, forging fluent amicable bonds, one even stays on into adulthood.
Mr. Percival makes adorable sounds while going about his pelican business, and proves quite perspicacious as the sea erupts in challenge.
But will 'lil Storm Boy ever go to school or at least take correspondence courses?, so full of life and compassionate vision he'd no doubt benefit from general learning.
His Indigenous friend (David Gulpilil as Fingerbone) encourages schooling and teaches him to be cautious 'round snakes, perhaps too cautious indeed they're lifeforms too with a right to exist!
Nevertheless, young Storm Boy authenticates the amiable inquisitive frontier spirit, perhaps not as wild as at the time of first contact, but still overflowing with naturalistic life.
If you can still find joy in nature there's certainly an abundance in Canada and Australia, true the winter makes it difficult in North America, but there also aren't many venomous snakes (or spiders).
Storm Boy presents open-minded individuals who haven't been misled by prejudice, and gradually shows them peacefully interacting with intuitive grace and humanistic dignity.
It also composédly challenges speciesism by crafting integral animal friends, not just cats and dogs but other animals who can also learn to harmoniously co-exist.
Its inherent calm enabling chill well-meaning tranquil harmless goodwill, should make Storm Boy a family favourite for different generations not only in Australia.
A must see if you have a family that's genuinely interested in the natural world.
It's not entirely chill, tough scenes await!
Why the emphasis on gruelling mortality?
*Isn't Kes's return the worst episode of Voyager?
**Speciesism doesn't show up in spellcheck!
***I can't find the Storm Boy sequel online!
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