Miami Blues

The old school progressive drama within which ambivalence envelopes, as the deeds of a petty crook seem less contemptible at times.

He doesn't instigate many of his crimes but instead simply wanders around the city, and waits for others to break the law before unexpectedly stepping in (Alec Baldwin as Frederick J. Frenger Jr.).

He then uses a fake badge to pretend to arrest the violent assailant, and then steals the loot they've stolen before making off scot-free.

Thus he seems like Robin Hood if he'd had a lingering head injury, therefore he doesn't share his goods, nor rob the rich exclusively.

But he takes in a struggling lass who's had a seriously rough time of it, and they attempt to live together in the 'burbs like a sure and steady upbeat couple.

Meanwhile the cop whom he stole the badge from can't catch a freakin' break (Fred Ward as Pork-Chops-Moseley), and moves from the hospital back to his hotel apartment before being assaulted by a fellow policeperson (Paul Gleason as Sgt. Lackley).

He's one of the most unfortunate cops I've seen effectively portrayed in bizarro detective drama.

With an uncanny comic edge.

Like nothing I've seen before.

Mostly because I've never seen the police at such a disadvantage, and I'm not used to seeing petty thugs randomly commit crimes without fear of consequence.

The intricate focus on precise details leading to the capture of violent criminals, generally eludes this oddball caper in which the cops are understaffed, underfunded, and corrupt.

There's no shortage of corresponding crime and as they proceed like a comic noir, they make the case for a more robust economy in which there's ample steady work.

Jennifer Jason Leigh (Ms. Waggoner) excels as her character intuits a domestic role, having spent much of her life being overlooked, she responds with vigour to her newfound calling.

Fred Ward takes on a new role where he isn't a smart-ass confident phenom, in Miami Blues he struggles more than J.J. Gittes in Chinatown and even loses his set of false teeth.

Alec Baldwin alternatively struggles and shines throughout his discombobulating task, some scenes certainly memorable, how was he ever that thin?

Not the most convincing of cop dramas but still abounding with oddball novelty, Miami Blues takes a well-worn genre and reasserts stray originality. 

Perhaps the story comes from Europe, it's difficult to say.

Fun if if you love offbeat characters.

And omnipresent gristle.