Au revoir le bonheur (Goodbye Happiness)

What to make of this film.

It concerns a well-to-do family whose father unfortunately passes, leaving his 4 sons to squabble in grief at their cherished home on the Magdalen Islands (which I'd like to visit). 

They own a rather large business which one of them manages somewhat ruthlessly, and even though they earn plenty of scrilla, he's still tightfisted regarding start-ups.

Another brother is a talented artist as regards brilliant culinary manifestation, yet he's somewhat hopeless in tune with everything else to do with commercial affairs.

I suppose it's a heartfelt look at a grieving disputatious family, but it has elements I just can't let slide, I'm not really that familiar with relationships or dating, but I believe Au revoir le bonheur (Goodbye Happiness) goes way over the top.

I don't think having children with 4 separate women all of whom were left for one reason or another (who all still secretly love him), while not paying child support even though your family's loaded, and eventually impregnating a 5th much younger girl by the end of the film, is a humorous subject, that goes way too far.

It's the kind of idea that occurs to you and you dismiss for being far too insensitive (there's a dark side to creativity), I'm not sure how this film was received in Québec, but it seems to have overlooked La révolution tranquille. 

I'm not exactly in touch with prevalent trends and cultural narratives (although I love wildlife and football), but this may be the most tone deaf film that's ever been presented as a merry bellwether. 

In the 1950s, or long ago when westerns dominated the market, in film and television and novel alike, perhaps Au revoir le bonheur would have been well-received.

When men and only men decided everything and the patriarchy adjudicated with irate prejudice. 

I know there are other things happening in the film, but trying to create a loveable endearing cad with absolutely no awareness of consequence or responsibility (even if such things are annoying), even after it's happened twice, three times, four times, who can't even remember his children's names and loses track of them when he's in charge, is a blind horrendous nauseous infantilism that isn't even fit for the worst trash comedy.

I liked Starbuck like many others but that wasn't nearly as definitively offensive. 

It's presented like a Disney movie with challenges and endemic daring.

I like a lot of oddball stuff.

Assuming there's still conscious sympathy. 

*The pandemic's produced worse.