A criminal breaks free from an American minimum security prison (Josh Duhamel as Robert), and crosses the border into Canada, soon looking for work and lodging as the police search frustrated in vain, the 1980s much less suspicious and routinely hysterical, he doesn't blend, without standing out much either.
He still lacks identity cards and cash so he needs to creatively conjure convincingly, fortunately securing a place to stay, without much luck finding steady employment.
Not really cut out for the workforce, indeed brave but also quite lazy, he soon takes to robbing banks for small sums, and proceeds to do so across the country.
At the same time, his parter matter-of-factly announces she's about to bear young (Elisha Cuthbert as Andrea), filling him with enlivening ecstasy since he's always wanted to have a family.
His lifestyle rather ill-suited to traditional bourgeois relational trajectories, he feels somewhat isolated however, yet rather than attempt to learn a trade and embrace regal commerce and industry, he seeks the backing of a local gangster (Mel Gibson as Tommy), and malfeasantly reengages.
Things proceed quite successfully for awhile before a local task force takes note.
His wife also figuring things out.
Accompanying him thereafter, from time to time.
I know the pandemic was a difficult time during which it was particularly hard to make movies, and film studios had to green light questionable scripts and move forward with rash decisions, the period we're in now perhaps one of the worst in cinematic history, does that still excuse Bandit's lacklustre writing, lack of conscience, homophobia and general malaise?, no, I'm afraid it doesn't, this film's a directionless amateur train wreck.
People with no artistic skill and a lot of money still attempt to make commercial movies, and they think it's remarkably easy, and proceed with undaunted confidence in a pleasant atmosphere lacking critical aplomb (Mel Gibson most likely rewriting his lines), no stirring voice providing comment and criticism, good god, was this script even edited?
Bandit falls into the new filmmaking category which functions like grassroots bludgeoned briars, Ronald Reagan is therefore celebrated, and work and a steady job for chumps and fools, anyone limiting the fun a homosexual (the police for instance), they appeal to Robin Hood, but this guy's just a piece of shit.
The major transition hasn't taken place but hopefully things improve since restrictions have been lifted.
Some pandemic films were pretty amazing (Babysitter, Viking).
At least a couple of standouts slipped through.
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