The Revenant

Insolence, disrespect, dishonour, carnal craven incredulous antagonist refusing to make the bold sacrifices required to encourage the convalescence of a helpless colleague, the barren logic of the unimaginative stagnating guilded contentment like lifeless inert gruelling cowardice, sublimity cast adrift, motionless, immobile, utterly dependent upon charitable goodwill, his son, vigilant, his strength, returning.

A mighty hunter, a conscientious man, able to see beyond the colour of one's skin or the pretensions of one's culture, intelligent and fierce yet cognizant of august lighthearted wonder, aware that he must live within the world but ready to embrace the bizarre and the peculiar, revel in family life, catch a snowflake on his tongue.

But the wilderness, the wild, where his exhaustive knowledge exhales survival, remains wild, unpredictable, with others seeking to survive as well, competing proficiencies contracting in the shadows, inspecting, subverting, challenging, strike and you will be struck, a mother bruin raising young attacks as Glass (Leonardo DiCaprio) hunts, he's almost dead by the end of the struggle, the mother resting docile and breathless on high.

He's left for dead by a treacherous goon after the goon kills his son (Forrest Goodluck as Hawk) but the power of the bear focuses his recovery and he's able to improbably begin crawling back home.

Hostile territory adds to his burdens as a First Nations Chief (Duane Howard as Elk Dog) seeks his kidnapped daughter (Melaw Nakehk'o as Powaqa), infuriated by both the insult and the treatment of his people, he attacks first and asks no questions.

Glass makes his way one excruciatingly painful movement at a time, enduring extreme punishment while witnessing naturalistic vivacity, breathtaking harmonies further motivating his resolve.

The Revenant is an incredible film, surpassing Fitzcarraldo in terms of herculean elasticity, each second dependent upon threateningly complex environmental courtesies, iconic patience unfurling in its reels like dedicated enriched spirituality, the production's staggering accomplishments complementing Glass's will, his superhuman endurance, in agile exoteric splendour, delivering a simple tale, with extraordinarily sophisticated refinement.

There's one scene that subtly introduces calm, the resonant flux having suddenly subsided, and just as I was thinking, "this makes an odd fit," Glass wakes up and has to frantically ride his horse off a cliff, brilliant editorial awareness rarely so strikingly realized (editing by Stephen Mirrione). 

And the final confrontation takes place as the sun gradually illuminates a valley's mountainous terrain, as glass firmly integrates the wisdom of lessons learned (cinematography by Emmanuel Lubezki).

Outstanding. Needs to be seen in theatres.

Captain Henry (Domhnall Gleeson) skilfully balances the differences between Glass and Fitzgerald (Tom Hardy), Glass, the man of communal knowledge, the spirit, spending his free time in search of game to eat in a land of plenty, in touch with his surroundings, able to instantaneously decide, Fitzgerald, the appetites, thinking only of his own personal prejudices and the wealth he hopes to obtain thereby.

Henry is in charge and must make the tough calls but possesses a conscience of his own that enables Glass to live even if it imperialistically blinds him to Fitzgerald's ambition.

A platonic helmsperson, with some unfortunate ideas about how to facilitate relations with Aboriginal peoples.

Would Glass have killed him in another life, the memories of his peaceful frontier existence haunting him with ageless sorrow?

He nevertheless remains a man of principle.

Not an ideological zealot.

But a practical human being.

Living in the world.

Co-existing.

Birdman: or (The Unexpected Virtue of Ignorance)

Spiralling prosaic haunting indecision, contraction instigated, distraction, procured, a play must be performed, negative emotion dominating, that voice, that voice which collegially condemns, internally and externally, belittling, haunting, there are specific time limits, the exceptional exceptionally parades, tender loving affairs, perpetual motion, angst rehabilitated, worst case after worst case, coming together, working, in unison, taking things too far, hold tight, flip, perform, do what you have always done, resolve strengthens, misgivings matriculate, swoop, soar, Silencio, glide on the currents like a nuthatched pin cushion, Birdman, Michael Keaton, what happened to Michael Keaton?, he disappeared, I thought, it's bound to be sold out, it's starring Michael Keaton, just like the '90s, purchase advanced tickets, line-up like Batman, she makes out like she did in Mulholland Drive, the soundtrack's embedded, bejewelled, it can't be extracted, necrophonic needlework, the lines, the perfectly delivered palatial lines, discursive krypton, in motion, in constant motion, assert, lose it, discuss, advocate, temporally sketched to last a lifetime, impotency notwithstanding, harness the haunting perpetual motion, aloofly pepper with speeches and scenes all of which are capable of standing alone, united to etherealize commercial artistic bedlam, for applause, for fortune, if I were Tennessee Williams I'd orgasm, Birdman, Birdman, Birdman, syntheses within syntheses, a kind word, still a movie, it's still a movie, it never loses sight of the fact that it's still a movie for entertaining, mesmerizing, a kind of charming magical cinematic awareness simultaneously celebrating and criticizing the medium, without appearing sentimental or confectionary, I shouldn't have used the word magical, a failure, I fail, flotsam flickering and flailing, taking note, sprawling to capture this ingenious tenure, this incomparable sight, this modest, coy, Birdman: or (The Unexpected Virtue of Ignorance), in the act of creation, it reacts anew.