Travelling throughout the Québecois countryside, Céline Baril presents the thoughts and observations of a wide variety of local points of view in her documentary La théorie du tout. The countryside is indirectly compared to a musical instrument that needs to be played in order to maintain its jaunty fluidity. Providing work for rural areas enables them to similarly maintain their communal vitality. But over production and obsessions with continually increasing profits have decimated resources that could have indefinitely supported them.
Changing technologies are lamented as a worker who has spent decades operating a specific machine must learn a new set of skills.
A young adult attached to her town wants to stay but her journalistic ambitions leave her with few employment opportunities.
Some individuals adapt and move from one industry to another as mining rejuvenates a struggling economy.
An ominous sense of anxiety pervades thoughts concerning the future of various fisheries as overflowing populations have been reduced to a fraction of their former plenitude.
The emphasis on providing rural workers/job seekers/small business owners/ . . . with the chance to voice their ideas and share their knowledge establishes a bucolic social democratic aesthetic which modestly illustrates sustainable development alternatives to the rapacious bottom line of 'moving forward' capitalists (without using the phrase).
A lot of people don't want to leave the town where they grew up or have lived and worked for most their lives. Sustainable development offers them with symphonic methodologies to orchestrate their futures along harmonic pastoral lines possessing environmentally sound melodies.
Showing posts with label Forestry. Show all posts
Showing posts with label Forestry. Show all posts
Friday, April 6, 2012
Saturday, March 3, 2012
The Lorax
Sustainable Development finds a pop cultural proponent in the new musical-comedy The Lorax, based on Dr. Seuss's children's book of the same name. Within, young Ted (Zac Efron) seeks the affections of Audrey (Taylor Swift) who loves the environment and would like to acquire a living tree.
They both live in Thneedville where their surroundings are predominantly non-organic.
Having never seen a living tree and possessing no knowledge of where to find one, Ted contends with a puzzling situation as his romantic daydreams complicate his ability to socialize.
Until Grammy Norma (Betty White) steps in.
She secretly tells Ted that if he wants to locate a tree he'll have to consult the Once-ler (Ed Helms) who lives in the treacherous badlands outside Thneedville's city limits.
To obtain the sought after information, Ted hops on his motorized bike and leaves the safety of Thneedville's uniformity behind. The Once-ler is discovered but before Ted can benefit from his stricken arboreal wisdom, a tale must be told in multiple instalments.
Wherein we meet the Lorax (Danny DeVito).
Guardian of the forest.
What follows is a harrowing reenactment of economic opportunism which results in the destruction of a lush wilderness and the displacement of its local bear population. The Once-ler capitalizes on the forest's marketable trees but his blind greed results in the harvesting of every last one.
And the devastation of a vibrant ecosystem.
The Lorax himself may be the guardian of the forest but there is little he can do to combat the forces of commercialization, besides trying to emphasize their folly before it's too late.
He's a secondary character in the film whose non-consequential fantastic presence is there to accentuate the importance of a realistic united environmental front, designed to disenchant extremist right wingers who like to preach about how environmentalism is the dream of children who can't understand that God is going to miraculously come down from heaven and clean up this mess some day.
Or just leave it behind and rapturously reward the extremist faithful.
Who for some reason haven't been diagnosed with a mental illness.
At least The Lorax makes it clear enough that divine intervention is not on the way and that we have to take matters into our own hands to find a progressive vision for a multi-generational solution to this misguided point of view.
Here on planet Earth.
They both live in Thneedville where their surroundings are predominantly non-organic.
Having never seen a living tree and possessing no knowledge of where to find one, Ted contends with a puzzling situation as his romantic daydreams complicate his ability to socialize.
Until Grammy Norma (Betty White) steps in.
She secretly tells Ted that if he wants to locate a tree he'll have to consult the Once-ler (Ed Helms) who lives in the treacherous badlands outside Thneedville's city limits.
To obtain the sought after information, Ted hops on his motorized bike and leaves the safety of Thneedville's uniformity behind. The Once-ler is discovered but before Ted can benefit from his stricken arboreal wisdom, a tale must be told in multiple instalments.
Wherein we meet the Lorax (Danny DeVito).
Guardian of the forest.
What follows is a harrowing reenactment of economic opportunism which results in the destruction of a lush wilderness and the displacement of its local bear population. The Once-ler capitalizes on the forest's marketable trees but his blind greed results in the harvesting of every last one.
And the devastation of a vibrant ecosystem.
The Lorax himself may be the guardian of the forest but there is little he can do to combat the forces of commercialization, besides trying to emphasize their folly before it's too late.
He's a secondary character in the film whose non-consequential fantastic presence is there to accentuate the importance of a realistic united environmental front, designed to disenchant extremist right wingers who like to preach about how environmentalism is the dream of children who can't understand that God is going to miraculously come down from heaven and clean up this mess some day.
Or just leave it behind and rapturously reward the extremist faithful.
Who for some reason haven't been diagnosed with a mental illness.
At least The Lorax makes it clear enough that divine intervention is not on the way and that we have to take matters into our own hands to find a progressive vision for a multi-generational solution to this misguided point of view.
Here on planet Earth.
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