Showing posts with label Martha Coolidge. Show all posts
Showing posts with label Martha Coolidge. Show all posts

Friday, June 12, 2026

Lost in Yonkers

Intelligence, when examined multifacetedly, has many industrious tributaries, whether it's the hands-on practical methods of labour and commerce, or the idle imaginative nature of academia. 

Not that reading isn't hands-on or labour prone to distraction and daydreaming, the multilayered convulsive vortex producing versatile compelling symmetries. 

Standardized tests can delineate efficiencies for specific subjects categorically determined, and if successful with these tests administrative accolades invariably accrue.

Social skills at the same time often aren't tested with authoritative skill, but cultural knowledge brought to vivid life securely allows one to snuggly fit in.

Fitting in can be rigidly frowned upon and categorically dismissed as routine flimflam, just as abstract knowledge may seem rather useless by the utilitarianly inclined.

People often specialize in something and know that subject very well, if you're to ask them a question about it they'll no doubt respond with relevant discourse. 

Do they lack intelligence because they aren't gifted in multiple domains?, I would argue they do not, since their subject of expertise demonstrates erudition. 

Getting along with people, co-existing, should be more highly valued, as a sign of communal functionality that encourages peace and tranquil living. 

Working the eccentric into such a framework along with novel peculiarities less disposed to small talk, is a gifted skill of its collective own readily displaying incumbent sympathy.

In Infinite Jest, David Foster Wallace bluntly examines intellectual styles, and without the most diplomatic language, brilliantly arrives at working-solutions.

He points out that most people aren't nearly as intelligent as they think they are and that fools often make incisive observations, while grotesquely filling his multidisciplinary pages with people self-destructively obsessed with over-achievement. 

I always thought it was irritating to focus on subjects I knew little about, and had no interest in thoroughly studying, to show-off my learning with people I didn't like because that was what they expected. 

I thought most people had strengths and weaknesses and respecting their strengths was a sign of culture.

Help them work on their weaknesses in school.

Let their strengths shine at work and play.

Friday, November 25, 2022

Rambling Rose

A traditional bourgeois family reservédly ensconced in solemn routine, welcomes a new less particular nanny who emphatically declares with upbeat candour.

Indeed Rose (Laura Dern) lives in the moment and hasn't been raised to sidestep and sublimate, preferring a much more animate approach to life's chill steady wondrous stream.

The children don't know what to expect as they innocently regard and evaluate difference, Rose's behaviour much more lively than others, but mom (Diane Ladd) and dad (Robert Duvall) aren't noticeably upset.

Dad must even tame his boisterous unassuming bold habitual proclivities, while mom honestly proclaims forgiveness and showcases genuine compassionate forbearing. 

The men keep on arriving however, seemingly to test the young family's mettle, a cavalcade of imaginative dreamers thoroughly pursuing amorous soirĂ©es. 

Young Buddy (Lukas Haas) isn't objectively immune as fledgling contemplation ruminates attentively, a unique otherwise forbidden friendship delicately blossoming wholesome anew.

Such versatile carefree freedom suddenly emerging with urgent radiance, characteristically challenging pride and propriety through natural honest intuitive acclimation.

It's as if spellbinding concepts like orthodox mutual attachment, hold no sway in its wild articulate whirlwind romantic resounding arbour.

I've noted that many proceed this way and that there's an intricate network of corresponding customs, with which many people are generally familiar and even quite distinguished in erudite variety.

The difference in Rambling Rose seems to be a matter of frank exposure, the modest community in manifest shock yet still generally appreciative of the exotic literature.

Ships are launched and daydreams delineated as spirited love socioculturally embarks, as to the resulting societal effects I'm afraid I can't lucidly elevate or denounce them.

Is it supposed to be lighthearted and playful or quizzically uncanny or simply absurd, or is there a sincere yet humorous investment on potentially game changing display?

It's a fun if not controversial illustration of enamoured import indubitably worth noting, with fluid debate perhaps freely generated after the first mesmerizing viewing.

Patience and charity, ethical endeavour, concepts defined in so many ways. 

Itinerant artistic accolades. 

Would likely also make a good read.