True Grit

Revenge. Determination. The Law. Bold teenager Mattie Ross (Hailee Steinfeld) is determined to hire a lawperson in order to bring the man who murdered her father to justice, and she possesses the stubborn constitution and iron will necessary to do so. Refusing to allow the stereotypes regarding her age and gender thwart her, she convinces the grizzled alcoholic U.S. Marshal Reuben J. "Rooster" Cogburn (Jeff Bridges) to pursue, and accompanies him along the way. The bumbling Texas Ranger La Boeuf (Matt Damon) is also in search of their quarry and the ensuing relations between the three roughhouse traditional conceptions of law and order. Cogburn and La Boeuf are like a rugged cantankerous reflection of Sherlock Holmes and Dr. Watson and their argumentative dialogue complicates matters before the Coen Brothers round up their complementary strengths and weaknesses (it's as if they've taken a "good" standard lawperson, separated him or her into two, provided both personalities with piss and vinegar, and then used [in this case] feminine strength to bring them together). Mattie saves them from themselves and maintains a firm influential grip, perhaps suggesting that as patriarchal conceptions of the good drink and qualify themselves to death, strong young women will revitalize and recast their semantics, maintaining a prominent place for men while creating one as equally influential for women, thereby manifesting true grit. The fact that her efforts are only substantialized through a stroke of somewhat random good fortune suggests that an egalitarian feminine and masculine distribution of power may be generated both legally and politically and treated as if it was evolutionary publicly, if and only if the actual composition of its resonance is dependent upon frustrated logic reinvigorated serendipitously, i.e., the introduction of and capitalization upon a paradigm which oddly corresponds to and uplifts its socialized framework, something formally similar to Lafontaine and Baldwin's use of restraint in the 1840s. A catalyst, a cyberstone, something from within. Good film.