6 volatile tales, worst case after worst case after worst case, scenarios often drenched in vengeance and justice, unexpected reactions to systemic rigidities, spitfires and incendiaries, riddled with hostility, both participants in the carnage, explosively splintered and drawn.
Who's in the wrong?, detonates each of these backlashed drills, as they comedically yet devastatingly assert themselves, like sociocultural aneurysms, caution and hesitancy be damned, to escorted retributive strife.
Beyond grieving.
Alarming dysfunctions.
The bitter outcast, the conscientious victim, road rage, billeted bombast, chaotic extortion, a bridal blush.
Consequences abound.
Social media condemns then rectifies.
Punishment, misfortune, degradation, resilience, Relatos salvajes (Wild Tales) passionately revels in ambiguous cohesion, disobedient in its logic, playful, carnal, means.
The oppressed and the oppressive, skewered kindred collisions, chance, structure, happenstance, mischievously envisioned in/sane tec/tonics.
The rules.
Play by which set of rules?
Immediacy begets fleeting permanence, instantaneous conception, sudden breaking news.
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