What We Do in the Shadows

Heightened rationalized improbability permeates What We Do in the Shadows, productively enlivening the confines of the undead, with shattered/rebuilt staggering susceptibility.

Incinerator.

4 vampires have been living together for some time in Wellington, New Zealand, tediously, nonchalantly, constructively, and impetuously approaching eternity, sort of learning and growing together as one, individuality integratively asserted, within their infernal domestic.

A camera crew is granted access and follows them around as they socially interact.

Debating, observing, feasting.

The film successfully works its way into the mockumentary cleavage, adding a bizarre sense of feisty unrealistic yet applicably pertinent ironic existential banality to its hemorrhage, asinine arteries and viscous veins wickedly yet lovingly distributing its worn permanence, like the genre itself is transformatively expired.

A skulking pantheon.

As they explore the external world and attend festive gatherings, favourite representatives of various divergencies emerge, their conversations occasionally fraught with bitterness and decay, a clash with the lycans, everything held together by Stu (Stuart Rutherford).

Stu is the human friend of recently converted vampire Nick (Cori Gonzalez-Macuer), and he aloofly yet essentially stylizes the film.

Nick builds Deacon's (Jonathan Brugh) character by contrasting his youthful rebelliousness with rash exuberance, the two growing ensemble, clueless direct un/concerned advice intact.

Some of the jokes don't work, like swearwolves/swerewolves.

More could have been done with the vampire hunter and the Unholy Masquerade.

Still, as far as people awkwardly placed within a time period they neither understand nor care to get to know goes, taking the time to formulate opinions and conclusions which both validate and empower them regardless, even if they subconsciously recognize their inherent weaknesses, What We Do in the Shadows serves to obscure while lucidly contemplating, as discoveries are made, and friendships develop.

It would be nice to see what Clement and Waititi could pull off with a larger budget and more time.

What We Do in the Shadows could make a funny show, there's plenty of material to work with.