Friday, June 19, 2015

Jurassic World

The miraculous theme park envisioned by John Hammond has become a reality, and profits are steady, but their future is theoretically in jeopardy, or they at least may not continue to increase, hence, a new carnivorous force of immaculate magnetism is required, the product, the indominus rex, a creature so malevolent it makes the fearsome tyrannosaurus look like a fluffy pillow, bred to dominate, severely shackled.

But it's highly intelligent and soon tricks its creators into setting it free, proceeding to rampage thereafter, as hundreds of tourists unsuspectingly stride.

Enter one Owen (Chris Pratt), adventurous pulsar, intimately aware of danger, his knowledge essential, his strategies, ignored.

His relationship with the velociraptors he trains forges the film's ethos in relation to the ways in which it examines the phenomenon of control.

He maintains a respectful attitude, looking at their relationship symbiotically, he controls aspects of their dynamic but only because he respects the team, and treats it with corresponding assertive humility.

He's indirectly compared with Simon Masrani (Irrfan Khan), who also finds freedom in letting go, a constructive truth in my opinion, variations on a theme, but he made the mistake of authorizing the indominus's creation without applying either oversight or foresight, for which he pays an incendiary penalty.

Too much progress.

You see a number of the park's features throughout and wonder how its profits could ever be called into question.

It looks mind-blowingly amazing.

How driving a spherical vehicle through a field of dinosaurs could ever become boring doesn't make sense to me.

Even the petting zoo could never become boring.

But future profits are called into question and the aforementioned apex predator is the solution, treated with foolhardy disrespect, and then hunted as it threatens their very existence.

Bad decision.

Small aggressive dogs can be difficult to control.

But aside from the appealing critique of the poor decisions that can be made when obsessing about profits that are already stable, and team leaders who apply too much or too little oversight to their vitalities without taking into consideration the agencies of their networks, found in Jurassic World, it's generally a chaotic enough blockbuster, romance blooming amidst the carnage, reckless youth suddenly coming of age.

B.D. Wong (Dr. Henry Wu) makes a welcome reappearance in the franchise; I always wondered what happened to him in the original.

My favourite character was Lowery (Jake Johnson), who likes to think of his working space "as a living system, with just enough stability to keep it from collapsing into anarchy." 

Nice line.

There are some other nice lines.

Too much oversight is provided by Hoskins (Vincent D'Onofrio), who wants to turn Owen's velociraptor team into a militaristic fighting force. 

His ideas are fast-tracked. 

Menacing progressions are critiqued, although their devastations develop character.

Those that survive anyway. 

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