Individualized destabilizing pent-up regressive rage, vanity spiked with lavish tear-jerks, revenge, pretence, Sardaukar, like white water rafting while having an enema, serendipitously skydiving into reckless raw sewage, a tropical vacation during a hurricane, horseback riding through an excrement infused mine field, or effervescent diarrhea, stuck in the washroom with the runs for 90 minutes with a good book after having drank a glass of Johnnie Walker Red, laughing your ass off while occasionally glancing at what's written on the walls, it's well done, solid dark comedy, poignant pointless improvised puttering, septic serenity, caw, caw, caw.
86 million squandered insanity.
There's a raw sense of guiltless innocence that destructively vibrates like a ludic chaotic cello, devoid of any constructive purpose, strict subjectivism, too independently inclined.
Like Immortan Joe, Alice (Kristen Wiig) rules, although her domain isn't post-apocalyptic, yet remains symptomatic of what leads to Fury Road.
Welcome to Me isn't hastily thrown together, they took their time to apply added depth, simultaneously enthusiastic and ghastly, it smoothly maintains its aesthetic the whole way through.
Reminiscent of World's Greatest Dad.
Possibly funded by the pharmaceutical lobby.
Decadence.
Mega Maid.
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