Aloha

Aloha deals with complex contemporary capitalistic and sociological issues in a seriously relaxed manner, smoothly stylizing an hectic chill work/life balance, while focusing on the big picture through a romantic lens.

Set in Hawaii.

The film follows Brian Gilcrest (Bradley Cooper), who's down on his luck, has taken a new job, is quasi-interviewing for another, runs into the love of his life who's now married with children, and has to entertain the plucky go-gettedness of a conscientious captain, Emma Stone as Allison Ng, while trying to overcome his ennui.

It's about land rights and the weaponization of space, Indigenous Hawaiians not wishing to permit the launch of a new potentially war mongering satellite, Gilcrest having to convince them that it's safe, Ng having to convince him to live up to his word.

Indigenous and American Hawaiian culture fuels several of Gilcrest and Ng's exploratory exchanges, and there's a great extended festive scene where everyone lets loose, Cameron Crowe fluidly capturing the fever.

Oddball billionaire Carson Welch (Bill Murray) blames the American government for the country's troubled economic times, but I suspect it was companies who didn't care about the environmental integrity of their communities, American communities, that problematized things, preferring to rapidly expand without considering the costs to social infrastructures, looking for the green light to pollute freely, revelling in their blatant disregard for the sustainability of local health.

Spoiler.

He ends up in jail.

You wonder if the script is just a clever examination of the disasters of weaponizing space, or a subtle re/introduction of something lobbyists have been promoting behind the scenes for decades.

I'm thinking it's just a clever examination.

Odd that the military benefits from private funding within however.

Isn't that grossly irresponsible?

Corporate armies?

A love story?