Sleeping Giant

Rest and relaxation, worry free contemplation blended with spirited solace and imaginary blunders, tranquility, wandering here and there to curiously explore, observing this, defining that, revelry and romance serendipitously replenishing, merrymaking mischief immersed in mirth and candour, spontaneous wit and jocose gentility, a Summer celebrated in the woods at bay, fellowships fermenting, in rowdy eccentric arbor.

I wish it could have been like that throughout Andrew Cividino's Sleeping Giant, just scene after scene of amazed revelation accompanied by stunning imagery and various fauna, a study of freewill rambunctiously investigating its surroundings, but I suppose films often have points, points to make, and conflicts, morals, tragedies, resolutions.

They're prominent features of story telling ;).

Sleeping Giant examines three young adult friends with nothing to do all Summer but soak up the rays.

Adam Hudson (Jackson Martin) is intelligent and shy, less interested in fighting, theft, booze, and drugs, but willing to go along for the ride.

Riley (Reece Moffett) is confident and direct, easy to get along with, chill, cool, breezy.

Nate (Nick Serino [Serino's like a younger Brad Dourif]) is a jealous vindictive punk who compensates for his lack of booksmarts with abrasively striking observations.

He finds out that Adam's father (David Disher as William Hudson) cheated on his wife (Lorraine Philp as Linda Hudson) after hours which frustrates things as their friendship slowly breaks down, sort of like 1er amour but Mrs. Hudson never finds out.

Adam's family is groovier than Riley and Nate's.

Riley don't care but Nate takes exception.

The narrative boils down to extroverted boorishness interacting with introverted contemplation, Riley caught between Adam and Nate as the latter becomes increasingly hostile.

Since Adam gets along well with Riley but poorly with Nate, Sleeping Giant isn't necessarily narratively characterizing demographic stereotypes, although Nate does wind up dead in the end, perhaps suggesting that when envious aggressive not-so-smart blowhards try to take control the results can be disastrous, and insects are featured throughout, one burned alive.

Did Cividino love Joe's So Mean to Josephine in his youth?

I was super impressed with the film regardless. Cividino's not as wild as Xavier Dolan but his thoughtful illustrations and gentle delineations reminded me of his films, environmental encapsulations, im/permanence in jest.

Forested.

Didn't like seeing the insect burned alive though.

I think I should have been a buddhist.

Enchanting woe.

Extracurricular.

Cinematography by James Klopko.