Tuesday, December 13, 2016

The Eagle Huntress

As I've mentioned before, go out and work some brutal unforgiving high-paying do-it-yourself labour job with a bunch of women seeking to prove themselves and you'll surely find they can tough it out hardcore like any man.

And on the coldest harshest direst days you'll find just as many men seeking shelter as women.

I'm not saying the NFL will suddenly be flooded with female athletes or anything, but I'm sure they'd be welcome if they tried to make the cut.

In a different land, across the Pacific in rural Mongolia, a young girl named Aisholpan seeks to follow her family's traditions and hunt fox on horseback in winter with the aid of an eagle.

Her father is a kind man and agrees to train her even if the patriarchal fox hunting by eagle hierarchy is not amused.

What follows is another brilliant exploration of the strength of the feminine spirit, like the formidable Athena of old, of myth, boldly challenging dismissive conceits, narrated by Daisy Ridley.

I suppose if you live in the badlands with neither television nor internet or within a country that suppresses contradictory proofs, it's still possible to believe women aren't capable of succeeding when prohibitively constrained.

But if such conditions qualify or govern your life, and somehow you're still reading this, note that The Eagle Huntress provides exemplary non-fictional evidence of potentially subversive notions which are likely being stubbornly ignored.

It's quite a positive film that generally focuses on determination as opposed to discrimination, an uplifting story that's strict and to the point, doesn't drag, and generates genuine interest.

Worth seeing.

With excellent eagle-related cinematography by Simon Niblett (Director of Photography).

Felt bad for the foxes.

I'm assuming they thrive in abundance?

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