Arrival

Time shifts encoded rifts temporal gifts communication, a brilliant linguist (Amy Adams as Louise Banks) practically applying her knowledge to freelance first contact with an alien race, 12 mysterious ships having suddenly appeared across the globe, but no one knows why they've arrived and even though they haven't attacked or encouraged hostilities many fear the worst, for which they hysterically prepare.

The aliens write using extraordinarily complex symbols the deciphering of which requires the coordinated efforts of worldwide ingenious minds.

But as paranoid tensions continue to increase and the aliens share a sign which appears to mean weapon, the universal olive branch is sensationally shaken.

Fortunately Dr. Banks has the last word, her caring friendly curiosity refusing to abandon peaceful interstellar objectives.

In overdrive.

Another outstanding film from Denis Villeneuve, who's competently directing in different genres, Arrival rationally manages chaotic instincts to surgically fictionalize scientific translation.

Palindromic comprehension.

It flips typical sci-fi by placing understanding in the forefront and violence beneath the surface while still generating an exciting story with multiple ethicopolitical elements.

Bejewelled.

It also questions the nature of time and space to ontologically shiver epistemological certainties.

In relation to origins, to meaning, to the interrelations between the myriad signs presented to a subject every day and their potential interpretations, like an abstract grid infinitely connecting everything within existence with flexible stability, instinct, awareness, knowledge, corrections, detecting harmonies and juxtapositions with piquant patterns or unique exposés, messages, revelations, guides, the artist/mathematician/scientist/politician/welder/ . . . generating imaginative conditionals from such material to cure a disease or make an audience laugh, blending seemingly immiscible particulars to create something uniform, a node, a whorl, a beacon, something distinct, eventually subsiding into overwhelming euphorias fractionally reduced to the pristinely primal, at ease with one's environment, in conflict or judicial correspondence.

I got in trouble when I was young for thinking reincarnation was real, it just seemed obvious to me, which eventually transformed into the idea that perhaps there was no beginning, no ending, there was just being, which doesn't make much sense but there it is, foolishly matriculating.

I also saw the Star Trek: Voyager episode where Q claims the Q have always been years later.

He didn't explain whether or not human consciousness lives after physical death.

I also really loved swamp water when I was young. Once I discovered you were free to mix all the sodas together when fast food restaurants gave you your own cup to fill, it was straight to the swamp water.

Lol.

Sometimes it was rather tasty.

Delicious even.

Exponentially sound.

Like a library.