A horrible day becomes incredibly worse as an honest intelligent literary family man finds himself caught up in a plutocratic conspiracy, after having been callously dismissed from work, multiple lives dependent on his aggrieved spontaneity, while time quickly passes, in chilling centigrade.
He's a commuter, commutes downtown tous les jours from a quiet idyllic hideaway, for 10 years in fact, doing his best at work to ensure his clients are treated fairly, let go so the miserly company he worked for wouldn't have to pay his pension.
Disgraceful.
On his commute home, he's villainously coerced into discovering the identity of a conscientious individual in possession of evidence which would incriminate the perpetrators of an executive level crime, before the last stop, malfeasance which he or she also witnessed, the upper levels none too pleased with the illicit nature of their dealings being made public, and willing to pay lavish sums to see those they can't buy off silenced.
Not in Trump's case though.
Wow does everyone ever love screwing that guy over.
It's becoming a sport.
The commuter in question, one Michael MacCauley (Liam Neeson), has to uncharacteristically schmooze with his fellow passengers, the awkward nature of the exchanges becoming increasingly hostile as time runs out.
He's friendly and greets everyone daily, but is more known for reading on route, not forcing small talk.
There's even a great Texas hold-em match which demonstrates how unreasonable pressures lead otherwise upright peeps to use xenophobic strategies to obtain scurrilous sought after goals, the politics of who belongs aggressively employed out of sheer wanton hopelessness, psychotic demands bellicosely breeding psychotic outcomes.
Michael feels ashamed and eventually stops playing along even though his puppeteers claim they've abducted and will harm his family.
Inspired by his example, soon everyone on the train is self-sacrificing, and there's another great scene, where you see them metaphorically creating a union.
Makes it harder to be fired.
Just have to make sure the company you work for remains profitable.
It's a thrilling bold ethical castigation of those who caused the 2008 financial crisis and were never held to account, The Commuter is, the ways in which they still screw over little guys and gals with or without the aid of law enforcement also a subject of interrogation, paydays and corrupt ways plus pilfering and penny-pinching pronounced and nuanced, cronies versus constitutionals, 😉, stickin' it to the man, evidenced through combative conscience.
Smoothly situated in a sustained daily environmentally friendly ride, the opening moments cleverly capturing loving variations on a conjugal theme, The Commuter breathtakes to incarcerate belittling politics of division, or at least derails attempts to shatter hardworking solidarity.
With a classic performance from Mr. Neeson, whose unparalleled passion gradually builds as the tension chaotically intensifies, the other characters on the train adding complementary cheek, notably Colin McFarlane (Conductor Sam), and the one and only Jonathon Banks (Walt)(Gremlins, Freejack).
With Vera Farmiga (Joanna), Sam Neill (Captain Hawthorne) and Patrick Wilson (Alex Murphy).
My timing for the métro was perfect afterwards.
Didn't miss a beat.
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