The weekly game night.
An unsung celebration of the studious and the knowledgeable during which sundry eclectic caprices heroically achieve cultural redemption, every foolishly frowned upon trivial impulse suddenly validated as if their mass accumulation was as generally admired as owning a car or playing a sport, nachos and salsa haphazardly served up raw or baked while crucially captious considerations undauntedly contend within diminutively prescribed limits, immediate artistic delineations and divinations juxtaposed with lexicographical ease, Pennsylvania Avenue, the spur of the moment strategic themes of the adorably innovative inculpable thesauri, trivially lounging, cloaked fissures, fonts, forays.
An uptight observant redheaded enforcer banished from their midst.
Past infidelities accidentally exposed introducing argumentative contention.
Reversed roles confounding traditional mating rituals as a perceptive relativistic ingenue inquisitively examines her date for the evening.
A couple struggling to bear young finds romantic sustainability as one representative demonstrates unconditional love.
For her reliable steed's unconscious trauma is preventing his troops from conceptually mustering.
The source of said trauma having just reappeared.
To recommence belittling and outperforming.
After having superciliously commanded: a change of venue.
Game Night brings family and friends together to diabolically transform team-based knowledge quests into mortal streetwise altercations invading private spaces intent on supersonically hedging fraternal marigold combat.
Not necessarily like that, however it does have an edge, and its insightful journeyperson script does delicately tread tightropes uniting bourgeois romance with impoverished plutocratic proclivities, in a homely horrorshow, fearlessly exonerating conjugal endeavour.
Did anyone notice Kyle Chandler's (Brooks) solid Leonardo DiCaprio pastiche (Inception)?
Is Rachel McAdams (Annie) the new Meg Ryan?
Limbrous isn't a word.
So I'll stick with almost mind-blowing.
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