Risk-fuelled high-stakes automotive accumulation is temporarily interrupted after the passing of a not-so-loved-one.
Charlie Babbitt (Tom Cruise) flies to Cincinnati to settle accounts without delay only to discover he had a brother whose existence shakes things up.
Babbitt's somewhat of an insensitive callous jerk, and is much less interested in his newfound bro (Dustin Hoffman as Raymond Babbitt) than the cash left in trust for his well-being.
He's been living at a psychiatric facility for almost his entire offbeat life, and has serious issues with communication although he's quite gifted at math.
Charlie decides it's time they get to know one another and kidnaps him from the institution, hoping to take him to L.A in order to strike a lavish deal.
But Raymond refuses to fly so they're forced to hit the road, the backroads 'cross vibrant country, since they're much less bland and noisy.
Partner Susanna (Valeria Golino) can't stand Charlie's motives so she leaves shortly after they depart, and gentle Raymond's left in the hands of someone lacking firm compassion.
But Charlie isn't strictly obtuse and can make sincere adjustments, which their trip demands at times as they travel throughout America.
There's a realistic edge to Rain Man which isn't dulled by hypotheticals, it may seem impractical or otherworldly but it still makes sense as they travel on.
It starts out swift and headstrong full of blind instinctual tenacity, but slowly transforms through the art of play as alternative arrangements challenge preconceptions.
At times you wonder how Charlie could be so thick as proof after proof readily presents itself, but without ever having been trained to care for the differently abled, it's not shocking that his confusion persists.
Raymond doesn't have a say in the matter but makes the most of the sudden change, loudly expressing discontent at times, at others curiously contracting.
They wondrously come together as an off-beat non-traditional team, embracing unexpected roadblocks with surprisingly adept efficiency.
The realism prevents the use of words like "smooth" or "understanding", as Rain Man frenetically flows while life mysteriously presents itself.
I thought the final moments made sense bearing in mind uncertain self-sufficiencies, heartbreaking though they were, the alternative may have been much worse.
Not that Charlie wouldn't have given it a shot, he's not so bad after putting in some effort.
It's nice to see a film that promotes change.
Instead of grim hard-hearted despondency.
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